Lady Milton was, some years previously, the victim of an outrageous theft, when a painting by Turner was stolen almost out from under her nose by a young woman she employed. Brodie is hired by a completely unrelated family to trace the theft of a completely unrelated painting... by a young woman who is not what she seemed.
I thought the previous outing for Brodie, Big Sky, took a while to get going and was a bit unsubtle about its targets. This is much better at getting things going from the off, while many of the characters here and their motivations are not what they first appear.
Brodie is now in his 60s and a grandfather, but still the sardonic tough-guy of previous outings. The returning characters include Reggie Chase, the teenage orphan introduced in the third Brodie novel, When Will There Be Good News? and now a serving police officer - who takes pride in being mistaken for Brodie's daughter. New characters include a troubled vicar, Simon, who has lost his voice and his belief in God. There's also a beekeeper called Ben, who lost his leg to an IED while on active duty and is now a bit lost himself.
It's a funny and wry, and kept me guessing until the end. The final act, which involves the murder mystery evening where there's also a real dead body and an escaped convict with a gun, is tense and suspenseful while also a glorious farce. The mix of comedy and pathos gives some heft to what might otherwise by a daft runaround. The result is a very satisfying joy.
See also me on the five previous Jackson Brodie novels: Case Histories; One Good Turn; When Will There Be Good News?; Started Early, Took My Dog; Big Sky. And me on Kate Atkinson's other novels: Transcription; Shrines of Gaiety.
No comments:
Post a Comment