The Dalek Factor

Out on Blu-ray and DVD this week is the new animation recreating The Evil of the Daleks, a seven-episode Doctor Who story from 1967 of which only episode 2 still survives. The wealth of extras include making-of documentary The Dalek Factor produced by Steve Broster. It includes me rabbiting on a bit wild-eyed and excited to be talking to anyone outside my immediate family.

As the caption says, I wrote a book about The Evil of the Daleks for the Black Archive series, which is still available and rather good.

The Tides of Time #47

The Trinity term issue of The Tides of Time, fanzine of the Oxford Doctor Who society features an interview with me conducted by editor James Ashworth, plus reviews of things I've written - Lesser Evils from last year and The Time Travellers from way back in 2005. There are plenty of other things in the whopping 104 pages, not all of them about me. But I am very magnanimous.

Vortex 148

Among the treats in the latest issue of Big Finish's free in-house magazine Vortex there is "Metal Strain", a feature on my forthcoming Doctor Who audiobook Scourge of the Cybermen - interviewing me, producer David Richardson and reader Jon Culshaw. I seem to have been quite enthused when I spoke to editor Kenny Smith:

"It was brilliant [ to write for the Cybermen]! I’ve written Daleks, Sontarans, Ogrons and even Vardans but was keen to do Cybermen because the TV episode Earthshock made such an impression on me as a kid. I watched The Invasion on DVD, as that was their last appearance before my story, and then listened to the audiobook of Ian Marter’s novelisation. I also re-read David Banks’s book Cybermen for a sense of the lore around them. But as I say, the main thing was that vivid description of them in [the prologue of] Doctor Who and the Cybermen. Knowing that Nick [Briggs] would be voicing them also helped, as I knew he’d make them authentic.”

Cinema Limbo: Smoke (1995)

The latest episode of film podcast Cinema Limbo is about Smoke (1995), a favourite film that I inflicted on host Jeremy Philips. It's directed by Wayne Wang and written by Paul Auster, and stars Harvey Kietel, William Hurt and loads of other people.

Cinema Limbo: Highlander II

I'm again a guest on the Cinema Limbo podcast, in which Jeremy Phillips looks anew at neglected old films. This time, he inflicted on me Highlander II. 

• Cinema Limbo: Highlander II

We've previously discussed Ryan's Daughter and the 1976 version of King Kong.

And here's me in more positive form on some of amazing non-Bond films starring Sean Connery.

Happy Times and Places

Waaah!

I'm Toby Hadoke's guest on the Happy Times and Places podcast this week. At my bidding, Toby watches / listens to the 1967 Doctor Who story The Evil of the Daleks and shares the ideas inside his brain. These include which actors dated who, and how good director Derek Martinus was in his casting. Toby also has to guess my favourite things from each of the seven episodes.

You may like to now that I wrote a book about The Evil of the Daleks, and we recreated the sets of episode 1 for Doctor Who Magazine's recent production design special.

World-Building: How Science Sculpts Science Fiction

It me

Last week, I was on an online panel organised by IPAC and and the Keck Institute for Space Studies, discussing the ways that science-fiction writers create fantastical worlds. A little intimidatingly, the other panelists were Becky Chambers, Mary Robinette Kowal and John Scalzi, all under the eye of moderator Phil Plait. Here's the full thing:

The time difference meant that the panel started at 1 am for me - so, rather fittingly, I was calling in from the future.

Thanks to Dr. Jessie Christiansen for inviting me and the expert team who put it all together.

Edy Hurst's War of the Worlds

I'm a guest on a special episode of comedian Edy Hurst's podcast devoted to The War of the Worlds, nattering about the life of HG Wells, his influence on George Orwell and on Doctor Who, and some other stuff.

Interlude 3: Justice for Wells w/ Simon Guerrier

Apple: https://apple.co/3hQYpIS Spotify: https://spoti.fi/3kySidU

You can still listen to the BBC radio documentary I produced on HG Wells and the H-Bomb, while "Alls Wells That Ends Wells" is an extra on the DVD of 1966 Doctor Who story The Ark:

Cinema Limbo: Ryan's Daughter

I'm a guest on the latest Cinema Limbo podcast, talking in detail with host Jeremy Philips about Ryan's Daughter (1970). I'm a big fan of director David Lean and there's a lot of admire about this one, and yet it doesn't quite work. But I think that's what make its interesting.

As preparation, back in March I read The Painted Banquet by costume designer Jocelyn Rickards. But sadly I didn't know about (because it hadn't been released) Paul Benedict Rowan's making of, which details the troubles I had only suspected...

How to Build a Universe, by Brian Cox, Robin Ince and Alexandra Feachem

This book accompanying Radio 4's science panel show The Infinite Monkey Cage is largely a collection of debates addressed on that programme, resisted with further detail and insight. I should declare an interest having been a panelist on the 2015 Christmas special - though unlike Robin's I'm a Joke and So Are You, there's no reference to that episode here.

There are six chapters - Introductions & Infinity; Life, Death & Strawberries; Recipe to Build a Universe; Space Exploration; Evidence & Why Ghosts Don't Exist; Apocalypse - but the material is peppered with asides, footnotes, illustrations and pull quotes. The chapter on building a universe is by far the longest and hard-going, Robin advising us to wade into it as far as we can then stop and start again, hoping to progress a bit further on the each subsequent attempt. At the end, we're presented with illustrations of badges as rewards for making it that far. For all the equations and technical language, I don't think it is (only) the degree-level physics that makes the going tough. The book offers less a single thesis as per a bullet shot from a gun, so much as a range of ejecta shot out of a blunderbuss.

If I'm familiar with a lot of the material - even if I don't wholly comprehend it - there was lots that was new, and loads I'm very taken by, such as this:

"This is the beauty of books, they are secondary human fossils. We may leave behind bones, skin preserved in a peat bog, perhaps eventually a fossil, but books are our mind fossils, the fossils of our thoughts that are left after we are gone. We appear to be the only creature that can interrogate minds even after the owner of those thoughts has died." (p. 242)

There's some fun stuff, too, on the credibility of the science in sci-fi - the subject they quizzed me about when I was on the show.

It's interesting to hear that Brian and Robin argue. When they revisit some of those arguments here, there's a sense that the good-natured discussion in print follows a less amiable row. I'm not sure I agree with some of the assumptions made in the book, either. For example, here's Brian citing a case for greater exploitation of space.

"I recently spoke with Jeff Bezos, founder of Amazon, at his Blue Origin rocket factory in Seattle. His vision is to zone Earth as residential and light industrial, in order to protect it. We've visited every planet in the Solar System, he said, and we know with absolute certainty that this is the best one. That's why his company is called Blue Origin, after our precious blue jewel of a world. Spaceflight does not increase pressures on our world by consuming valuable resources; it is a route to protecting our world by enabling us to grow in a richer and more interesting civilisation whilst simultaneously consuming less of Earth." (p. 152)

I think the first part of that paragraph is a sales pitch and the final sentence is wrong. After all, how do we get into space to access this bounty of resources? Rocket launches produce 150 times as much carbon dioxide as a transatlantic flight - when it's argued that rocket launches have low environmental impact it's because they are infrequent. They also seem to damage the ozone layer and leave space junk in Earth orbit. Are we also to assume that the resources mined in space and the people who fly out to mine them will not be returned to Earth?

But then I think that's the point of the book: it's the book of a panel discussion show aimed at provoking further debate. 

Doctor Who Magazine 550

Issue 550 of the official Doctor Who Magazine is out tomorrow and comes with posters, a cardboard TARDIS control room to make and plenty of other treats. That includes my in-depth interview with director Michael E Briant about The Robots of Death. That story is part of the Season 14 box-set to be released on Blu-ray as soon as the global crisis allows...

What with all that hullabaloo, magazines are facing a thin time so now would be the perfect opportunity to subscribe to this noblest of all titles. Please and thank you.

Also, this afternoon I took part in the Stay-at-Home! Literary Festival, on a panel about writing Doctor Who books alongside esteemed colleagues Una McCormack, Jonathan Morris and Jacqueline Rayner. Jac commissioned me for the very first bit of fiction I ever got paid for, and it was nice to be able to remind and thank her. 

Vortex 133

The new issue of free magazine Vortex includes a feature on Doctor Who audio spin-off Susan's War, including an interview with me about the episode I wrote - The Uncertain Shore - and a picture of the splendid cast. 

The series is out next month: order Susan's War from the Big Finish website.

In The Atlantic

Helen Lewis has written a very good overview in The Atlantic of Samira Ahmed's case against the BBC over pay discrimination. It includes a few words from me.

Picture by Aaron Chown / PA Wire / PA Images - ref: 47995752

Galactic Yo-Yo 86

Episode 86 of the Galactic Yo-Yo podcast features an interview with me talking about writing Doctor Who books and audios, and confessing my love for 1985 story Timelash.

"Simon likes Timelash more than most people do," as Molly says in her introduction. It is true.

Standing with Samira

Around the childcare, the Dr and I had turns this week to stand in solidarity with Samira Ahmed taking the BBC to tribunal over unequal pay. I've been Samira's producer on a number of projects, including four documentaries for BBC Radio 3, and follow the case with close interest.

Picture by Aaron Chown / PA Wire / PA Images - ref: 47995752

Radio Free Skaro 712

Steven Schapansky of Doctor Who podcast Radio Free Skaro interviewed me for episode #712, "Stay on Target". I think that makes me Biggs.

• Radio Free Skaro #712: "Stay on Target" with Simon Guerrier

We talk about my contribution to the newly published Doctor Who: The Target Storybook, and about maestro Terrance Dicks, who died in August and whose final contribution to Doctor Who in included in the book. As I say, both I and the Dr rather owe our careers to Terrance.

I think you can probably tell that I'd been at home alone for a few days, the Dr off on half-term excursions with the apes. The bit with me starts at 30:08.

I'm a Joke and So Are You, by Robin Ince

Subtitled "A comedians' take on what makes us human", this is an intelligent ramble through the psychology of stand-up, and by extension creativity in general. Robin undergoes brain scans, talks to scientists and fellow comedians, and opens up about his own life and experience.

There's plenty of science-of... stuff I found interesting: the notion of Wittgenstein's lion - "if a lion could speak, we could not understand him" - or how being good at Just a Minute appears in your brain. In one chapter, Robin explores an old canard I had heard before, that many successful comedians experienced some kind of trauma as children, such as the death of a parent. He speaks to those of whom that is true, and to other comedians who were adopted or suffered different kinds of trauma. With that in mind, he also explores the impact of traumatic moments in his own life - a car crash he was involved in as a small child that almost killed his mum, or the effect of changing school. Then, just as he seems to be on to something with all of this, he completely undercuts the hypothesis with examples of comedians whose work comes from a childhood of happiness and encouragement. If the conclusion, then, is that there's no simple answer, it prompted this listener to think about how and why I do what I do.

Chapters address the cliche of the "sad clown", the issue of causing offence, the anxieties of both performer and audience. The final chapter addresses death, specifically that of Robin's mother and how it impacted his work. It's agonisingly honest and upsetting, and with a start I realised I'd been a witness to some of what's described, as a panelist on the 2015 Christmas special of The Infinite Monkey Cage. At the time, I didn't know what was going on - Robin was clearly unwell at the recording and had to rush off immediately afterwards. With typical courtesy, and the same freelancer fear of letting other people down he describes here, he emailed me later to apologise. 

Having experienced my own share of trauma, I really get his need to keep busy through this period, to use work both to escape the awful reality and then to make some kind of sense of it. I admire the way he tells us so much so honestly and then won't go any further - only sharing so much. He talks about how his job, his mining real life for comedy, can strain relationships when something like this happens - his own acknowledgement and the fear from people round him that this is all raw material. This is difficult and profound, and Robin concludes - with an example of another comedian's response to his own terminally ill father - that means we end on a note of optimism. But it's not so neat or simple as that, and I remain thinking...

Cinema Limbo on King Kong (1976)

A huge, confused ape wrestles with King Kong. Reader, that ape is me...

The Cinema Limbo podcast re-evaluates old films, and host Jeremy Phillips asked me to discuss the 1976 remake of King Kong. You can listen to our extended rambling here:

http://www.podnose.com/cinema-limbo/068-king-kong

Floating in Space repeat

This Saturday morning, Radio 4 Extra are repeating Floating in Space - a compendium of space-related programming presented by Samira Ahmed and featuring some chatter from me about the early days of spaceflight. The producer was Luke Doran.

On Tuesday, I was in the audience at Broadcasting House for the recording of James Burke: Our Man on the Moon, to be broadcast on Radio 4 on 20 July. It's full of great clips - many of them new to me - and Burke presented with characteristic insight, intelligence and wit. It's superb.

Trowelblazers' TrowelTakeover

Today, Samira Ahmed and I took over the twitter feed of the Trowelblazers, which celebrates pioneering women in archaeology, palaentology and geology, past and present.

We shared the story of how we made our Radio 3 documentary, Victorian Queens of Ancient Egypt in an 80-tweet thread.

• Listen to Victorian Queens of Ancient Egypt