Saturday, February 06, 2010

Thank you

The Dr and I have been a bit overwhelmed by the response to that last post. The comments on the blog, on Facebook and privately are really appreciated, and make me wish I'd said something months back. Thanks everyone. A few people even asked if they could pass on what I wrote. Yes of course, if you think it's helpful - the direct link is:

http://0tralala.blogspot.com/2010/02/ivf.html

What with that response, it's been a good week all told. On Wednesday night I made my radio and broadcast debut* with a thing on topical sketch show Newsjack (episode 2.5). For those listening on iPlayer for the next few days, my sketch is about 25 minutes in and involves Mrs Thatcher.

(* I was a talking head on a documentary about Flash Gordon, but this is the first thing I've written that someone else has wanted to buy.)

I've been sending Newsjack sketches every week since the series began last month, and I'm delighted the one that got through is a fart joke set in 1979. You might also like to watch the original footage it is based on, which - with the mix of cheers and jeering - is remarkable in itself.

Having been pitching and pitching for weeks, another couple of things look like they're happening, and a third is suddenly moving. Can't speak of them now, but after a very tough January life is feeling a bit better.

My Being Human novel "The Road" is beginning to appear - including in the WH Smiths at Victoria, whence this picture was taken. I am thrilled to be jostling beside the works of Douglas Adams, though I don't quite understand understand why I'm there.

Reviews are also starting to appear. I'm delighted by this one, which spots that I nicked the title from Kneale and not Cormac McCarthy:
"Guerrier piles on the atmosphere, reminding me very much of Sapphire And Steel or the great Nigel Kneale in the way he describes our connections to places and landscapes and where times past are having a direct effect on contemporary events such as the building of a new road, and he creates quite a morally complex character with Gemma, carefully building up our sympathies for her only to twist them darkly out of shape towards the end of the book. An engrossing mystery written in a brittle prose that conjures up the swirling emotions of loss and revenge eating away at broken human lives that test the enduring spirits of our three 'heroes."

Frank, "BEING HUMAN: Novels - The Road, Chasers and Bad Blood / Review", Cathode Ray Tube, 1 February 2010

Hooray! Paul Simpson, meanwhile, gives me and James Goss 7/10 each, and Mark Michalowski 8/10:
"All three authors get the voices of the main characters right ... maintaining the show's combination of pathos, drama and black comedy ... They don't shy away from the horror element intrinsic to the show, although it's notable that we don't see George on a vulpine rampage – probably because the second season has been at pains to show George and Nina going through their monthly cycle as part of the ongoing Professor Jaggat plotline. (There is a brief reference to Jaggat, although there's no sign of either the professor or the bible-spouting Kemp, in line with the BBC policy that nothing important can happen in tie-in books.)"

Paul Simpson, "Being Human: The Road; Chasers; Bad Blood", Total Sci-fi Online, 3 February 2010.

That last bit is a little unfair. I'd feel a bit cheated if important parts of a TV show were only to be found in some tie-in books. Mark, James and I created our own characters and situations which I hope are engaging in themselves and add something to the experience of the series as a whole. You might as well get at us for not having written the books in 3D.

You can also win copies of the Being Human books in the latest, Being Human-tastic issue of Gay Times.

Tuesday, February 02, 2010

IVF

Something different for my 900th post. I don't normally blog personal stuff, but the Dr and I want it out in the open that we're doing IVF. There's a weird taboo around the subject, and even people who know that we're doing it don't always know what it entails or quite how to respond. We're just starting our second attempt, and a lot of people seemed surprised that the first go didn't work. IVF is not some miracle pill that lets “career women” have babies later. It's a last resort, with the odds stacked up against it.

This goes on a bit, is probably a bit mawkish and we know that everyone has their own shit to deal with. But anyway, here goes...

The usual method of making a baby is via the ancient combination of alcohol, fumbling and interlocking body parts. There are all sorts of reasons why this might not work – apparently some one in seven couples have fertility problems. All sorts of tests and treatments can help spot the problem and, with luck, sort it out.

This all takes time. You might hear helpful comments about IVF being for women in their mid-thirties who have “left it too late”. The Dr and I have been “trying” (i.e. with alcohol and interlocking parts) since before we got married in 2004, when we were both in our late twenties. The doctors won't consider you've got a problem until you've been trying for about two years, so we started tests in late 2005.

Matching puncturesThere are a lot of tests: taking supplements, giving samples, prodding around in the plumbing. We collect matching punctures from the blood tests. None of it is particularly fun, and we made regular trips to the GP and two separate hospitals. I'll write about the joyous practicalities of sperm tests – and the instruction sheets they give you – another time. Medical stuff works on the basis of “Have a go and see what happens.” We tried a lot of different things.

For most of 2008, the Dr was on nasty stuff called clomid which made her paranoid, weepy and claustrophobic. About 11 pm every night she'd want to be home in bed, and away from other people. We didn't know this at first, of course, but worked it out by degrees. By the last month of the treatment I'd realised that when the Dr said “I want to go now”, whatever the time, wherever we were, we had to get up and go – usually without saying goodbye to anyone.

Gradually, I also worked out that I should let people know at the start of a night out or meal or wedding that this was what we might do. “Don't,” I'd say, “worry, or hold us up as we go. We'll just disappear.” And it helped to have enough money on me for taxis so as to avoid crowded trains. Generally, it made even the most simple tasks much more complicated. And after all those months, the clomid didn't have any positive effect.

If none of these tests and experiments work you get put on to in vitro fertilisation (IVF), where instead of using alcohol and interlocking parts the sperm and egg are mixed up in a petri dish. We were recommended for our first go at IVF in late 2008, and went through it last summer – more than five years after we began “trying”, and in our mid-thirties.

There are all sorts of percentages for how successful it will be depending on the exact problem. For example, you seem to have a better chance if the chap's sperm is okay and the issue is with the lady. The statistics are also less good for women after they turn 35 – we're luckily just inside that bracket before we try this second go. One doctor said this was because we had “got through the tests relatively quickly”, so some poor women must find this all especially cruel.

Once you're doing IVF, the process takes about two months. The wheeze is to jump-start your system to get it going, then extract the bits, put them together manually and re-insert them into the womb. There are distinct stages, and – a bit like end-of-level baddies in a computer game – you can only progress to the next stage when you've passed the last one.

First you go on what's basically the pill. Then, on the 21st day of your cycle you start injecting yourself with drugs that effectively put you through the menopause, shutting down your system. Symptoms of that can include hot flushes, night sweats, hormones all over the place (so lots of crying for no reason) and hair growth (sadly, the Dr didn't grow a beard). You have to inject the drugs at the same time every day, you can't drink and you're not scintillating company anyway. So it kills your social life.

After two weeks you go for a scan to see that your insides are shut down. If they have you're on to the next stage, injecting the menopause drugs and the drugs that put you through puberty. That's why you feel like you're being pulled in two directions. The Dr felt giddy, found it difficult to concentrate and kept forgetting things (she lost her mobile phone three times last year while on the various drugs). She only wanted to eat sweets and her body changed shape completely.

All the stuff with the clomid the previous year had prepared us a bit for these side effects. Knowing to leave early and to apologise in advance made things a little easier, but you're constantly on edge, madly hoping that you'll get to the next stage. It's also not easy to see someone you love going through something like this – and being completely unable to help.

Then there's another scan to see that your ovaries are producing follicles – the things that house the eggs. You'll have some idea already if it's working because you're swollen and sore, and even walking a step is painful. If it is working, they call you in for what's called a "harvesting", where they remove the follicles. This process hurts, so they put you on opiates and you still feel pretty wiped out and bruised. You're not allowed to leave on your own; you need someone else there to ensure you get home. The Dr was bruised for weeks afterwards.

They're hoping for about 10-12 good eggs from this harvesting, so there's some to fertilise and some to freeze so you can skip to this stage if you need to go through the process again. If you're with a chap, he donates his sperm at this stage and the boffins put it all together.

If that putting together works, two days later you're in again for the implantation, which is pretty straight-forward and easy. Then you wait two weeks to see if it's worked. “Try not to worry,” they say, as one might advise, “Try to walk to the Moon”. You get used to the matter-of-fact language as you go through the process. “If you've not bled after a fortnight,” they tell you, “do a pregnancy test”. Depending what statistics you read, at implantation your chances of pregnancy are about 40%.

Once there, you face all the normal risks of pregnancy, though IVF increases your chances of having twins which can mean a whole number more complications. Most people I've talked to who've done this thing see twins as just catching up on all the time spent getting this far.

But if it doesn't work – and last time ours didn't on the 14th day – you can try again.

It's all a numbers game, with the waiting “room” (a corridor) at the Assisted Conception Unit filled with the same despair and desperation, the plaintive longing for miracles, as in any Ladbrokes. According to the British Medical Journal,
“One cycle of IVF offers a 25% chance of pregnancy; three cycles offer a 50% chance”.
On that basis, the National Institute for Clinical Excellence in 2004 published guidelines,
“aimed at raising infertility service provision in England and Wales to the standards enjoyed elsewhere in Europe”,
which included the key recommendation of,
“up to three free cycles of in vitro fertilisation (IVF) for couples who have been unable to conceive for three years because of an identifiable reason—provided that the woman is under 40 years old.”

Caroline White, "Infertile couples to be given three shots at IVF", BMJ. 2004 February 28; 328(7438): 482

That recommendation is still not happening: it all depends where you live and which health authority you're under. We're caught between two health authorities, so went with the one that said it would pay for two goes. Until, that is, we actually needed to have a second attempt, when it admitted it would only pay for one.

It's about £4,000 to go through the whole thing (roughly what I get paid for a novel), and about £1,000 if you've got eggs already frozen, plus the £400 per year for freezing them. There's a brilliant bit of internal market cleverness when it comes to buying the drugs – the hospital gives you a list of the drugs you need and numbers for three suppliers. You take a morning off and ring round these people, getting the best price. There was about £70 difference between them, depending on postage arrangements. We couldn't, though, then order the drugs ourselves. We had to schlep back to the hospital who did it for us. Any savings made had been lost in the time faffing about. But this is apparently a key part of “Patient Choice” and is somehow empowering for us.

We've also had delays because of ongoing building works at the hospital, and our second go looks like it will be split between two different sites, so there'll be added excitements about where we're meant to be for any given part of the cycle. Ordinarily, stuff like that would just be annoying, but on something so complex, emotional and intrusive, it leaves you howling at the sky.

It also doesn't help that we already know what to expect – the side effects and pain, the desperate hope and even more desperate disappointment. It took several months for the Dr to get the drugs out of her system last time; she still felt clutzy and forgetful, and kept finding herself lost or double-booked.

There are difficult decisions to be made about how long you try for: how much the drugs affect the lady, how much you can afford, how close you get at each stage, how much you're wasting your time. It is, all told, weird and knackering. It's like we've both been carrying this weight around with us for years.

You start noticing how much female identity is built up on having kids – especially when women get to their late twenties. It's still surprising how often strangers will ask if you have children and then ask why not – are we “focusing” on our careers? You notice how many people see their kids as an achievement, not the result of alcohol, fumbling and interlocking parts and being lucky in the draw. We've been envious, yes, and sometimes upset, as our friends and relations get pregnant with such relative ease. It's not quite the same as watching my colleagues get thrilling writing gigs – where I'm torn between thinking both, “Good for them,” and also “Bastardsbastardsbastards!”

Sometimes we've hidden away from celebrations rather than be spectres at the feast. Not that that's how other people treat us, it's how we feel ourselves. I struggled for a long time to explain how this feels, but a good friend, K., described what we're going through as a kind of grief. That's exactly what it feels like – as if part of our future has died.

And yet through all of this the Dr and I are closer than we've ever been. Oh, we've had some spectacular rows, but mostly its being howling at the sky rather than each other. I don't think we'd have made it this far otherwise. And we've learned who our friends really are. The weirdest thing about all of this is what it does to other people as they try to help. There's the cheery teasing about us not turning up to things, or about leaving early. Or the ones who interrogate us about how we're feeling and want details of all the worst bits. Or – a favourite – those who tell us how difficult being pregnant and having kids is, as if in many ways we're blessed.

I know it's all well meant but these things don't really help. All that happens is that we want to withdraw, to hide away and lick our wounds. One kind person even told us – for our benefit, I'm sure – that we were being over-sensitive. But it's difficult to feel anything but broken, and constantly pelted with stones. There's news of abuse or neglect of children, or you see people shouting at their kids in the street, or yet another “authority” speaks out about IVF or even that marriage is all about having kids, or that some medical condition is a moral judgement on the person who has it, and it's like twisting the knife.

We're not expecting the second go at IVF to work. We're already prepared for the result of that: the blunt statement that we can't have children. We just have to grit our teeth and get on with it; whatever happens, then we can move on.

So the best thing is not to crowd us, or worry if we disappear. But it is good to know that our friends are thinking of us. The best thing to ask is, “How are things going?” and after that, “Would you like a drink?”

Monday, February 01, 2010

God is love

Spotted by the in-laws in Fleetwood:

St Valentine found true love...
I now imagine Jesus and Valentine out on an awkward date, trying to make conversation over dinner at Pizza Express, amid other, just-as-uncomfortable couples.

Sunday, January 31, 2010

Books finished, January 2010

I've nicked this from a chap called Roo Reynolds, whose own blog I stalk. Here are the books I've finished this month:

Books I finished in January 2010"The Sad Tale of the Brothers Grossbart" by Jesse Bullington
Reviewed this for Vector, so I'll blog that later this year. But spectacularly not my cup of tea and I struggled to find anything nice to say. Sorry, Jesse. Amazon's reviewers clearly like it.

"The Story of Parliament in the Palace of Westminster" by John Field
A rather dry, worthy and partisan history of the buildings most people refer to as the "Houses of Parliament" - you can tell Field was a teacher. Some periods in history are lavished in detail, others barely get a mention. For example, Field abruptly jumps from the Second World War to the end of the 20th Century, with a rant about democracy now and our place within it.

Yet there's plenty of fascinating top facts and insights. There's the appalling comedy-of-errors as bureaucracy and petty politics, committees, inquiries and an ever-changing brief hamper the building of Pugin and Barry's new palace in the mid-Nineteenth Century - and killed off both those men. The frescoes of radiant British history famously came out too dark because of the inclement British weather, while the over-large statues of major British figures were quietly moved elsewhere. It leaves you amazed that we ever had an Empire. You can almost believe the old argument that we took Africa and India more by accident than design.

I was also fascinated by subtle changes wrought on the constitution during the brief reign of Edward VI. His dad, remember, had broken off from the Catholic church so as to get a new wife (which is why anyone from the Church of England who speaks against divorce and remarriage should be beheaded for Treason). During Edward's reign (with my emphasis in bold),
"The 1548 Parliament passed the First Act of Uniformity, which introduced an English prayer book, imposed penalties for non-observance, and ordered the suppression of both images and Latin primers. It was the first occasion when religious practice had been proscribed by a secular authority. The Second Act of Uniformity followed in the 1552 Parliament which required every subject to attend church on Sunday, at one of the rechristened services of morning prayer, evening prayer, or the Lord's supper. This Act was the beginning of 'keeping Sunday special'. It was accompanied, appropriately by an Act for the control of alehouses by Justices of the Peace, when liquor began for the first time to be licensed."

John Field, "The Story of Parliament in the Palace of Westminster", p. 79.

So "keeping Sunday special" was a specifically anti-Catholic measure, not our version of the Sabbath. It's also worth noting that Edward VI did not so much rule himself as governed through helpful "uncle" figures and Parliament - nearly a century before Oliver Cromwell, let alone the constitutional monarchy of William and Mary.

It's packed with stuff like this. Another favourite is in 1842, when the non-parliamentary Royal Fine Arts Commission held a competition for the interior decoration of the new palace, with two notable firsts:
"Cartoons were invited, either of subjects from British history, of of scenes from the works of Spenser, Shakespeare and Milton. The exhibition [of these] was the occasion for Punch to appropriate the word 'cartoon' and apply it for the first time to comic subjects, the magazine's own spoof entries. It was the first time that state patronage had been offered to artists."

Ibid., p. 191.

Field is right that the palace today still feels like a gentleman's club, with arcane rules and traditions deliberately aimed at tripping up the newcomer. He's also good on Lords reform, and the value of individuals of experience and with ostensibly less party allegiance to the scrutiny of Bills. So plenty of valuable research and insight, but the phrasing and grammar could be better, and there are odd concentrations of focus which mean the book loses a few marks.

"Matilda" by Roald Dahl
"It's a funny thing about mothers and fathers. Even when their own child is the most disgusting little blister you could ever imagine, they still think that he or she is wonderful."

Roald Dahl, "Matilda", p.1.

I've long meant to remedy the Dr's ignorance of the works of Roald Dahl. This was a perfect place to start, with a small, bespectacled and earnest girl who was reading newspapers at the works of Charles Dickens at the age of five. She was quite enthralled.

It's odd for me reading it again how thrilling and vivid it is, with Dahl simply and elegantly drawing us in to the adventure. It struck not only how black and white his characters are - villains like Matilda's parents and Miss Trunchball are 100 per cent villainous - but that this reflects a child-like view of grown-ups. There's no sense of these adults having once been children themselves - Miss Trunchball denies that very thing - or of their characters and outlooks developing. What, I wondered, went so wrong to turn Miss Trunchball into such a monster?

It also seems of its time, with Dahl sniffy about television and Matilda's dad a brash, conscience-less small businessman, reaping the boon of the Eighties. The plot is about a young girl taking charge of her life and reclaiming a stolen inheritance - just like the Victorian novels that Matilda reads. But it's also about the pernicious greed of its age.

It also seems odd now that Dahl recommends Hemmingway and, "Brighton Rock" to the children readers, and quotes from Dylan Thomas' haunting, "In Country Sleep". And I'm delighted this edition includes writing tips from Dahl, which includes his "constant unholy terror of boring the reader". We're already working our way through more of Dahl, so will blog some more on him soon.

"Family Britain 1951-57" by David Kynaston
I loved "Austerity Britain", which I read last year and singularly failed to blog. This picks up the story, a whopping, fat mash of diary extracts, political journals, news, sport and current affairs, building up an impression of the era. It's utterly compelling and covers such enormous ground. Kynaston's got an eye for details which inform or reflect the worries of our own age - the terror of "coshing" from teenage boys, the fury of the tabloid press, the floods and train disasters and the impact of invading - in this case, Suez - without a UN mandate. The truth is just starting to come out as the book closes, with Prime Minister Eden's explicit lie to the Commons about there having been no secret plot with Israel.

Kynaston's also good at explaining the effect of such moments, such as this quotation from the Daily Mirror on 5 November 1956, explaining why everyone must abide by international law if it's to have any meaning:
"'Once British bombs fell on Egypt the fate of Hungary was sealed,' asserted its leader. 'The last chance of asserting moral pressure on Russia was lost when Eden defied the United Nations over Suez.' Almost certainly Khruschev would have acted as he did anyway, sooner rather than later, but undeniably Suez provide opportune cover."

David Kynaston, "Family Britain 1951-57", p. 688.

The struggles of the British Communist Party to reconcile themselves to the fate of Budapest - and to revelations about all Stalin had been up to - seem another world, as are the worries about coal fires and rationing, or the assigned roles for men and women. It's the world we live in and another planet - something you can experience with this incredible, haunting slideshow of photographs of the 1950s.

Three choice moments from the book to whet your need to read it: in 1952 in Oxford,
"a thrusting Australian undergraduate had stood for secretary of the University Labour Club and, in defiance of the rule against open canvassing, had campaigned on the slogan, 'Rooting for Rupert'. Complaints were made to the club's chairman, Gerald Kaufman, who initiated a tribunal. The outcome was that young Rupert Murdoch was not allowed to stand for office."

Ibid., p.102.

That same year, the forthcoming White Paper about ending the BBC's monopoly on television - allowing the creation of ITV - led to "agitated correspondence" in the Times:
"'This is the age of the common man, whose influences towards the deterioration of standards of culture are formidable in all spheres,' warned Lord Brand. 'It is discouraging to find that it is in the Conservative Party which one would have thought would be by tradition the party pledged to maintain such standards, that many members in their desire to end anything like a monopoly, seem ready to support measures which will inevitably degrade them.' Violet Bonham Carter agreed: 'We are often told the B.B.C. should "give the people what they want". But who are "the people"? The people are all the people - including minorities. Broadcasting by the B.B.C. has no aim but good broadcasting. Broadcasting by sponsoring has no other motive but to sell goods."

Ibid., p. 106.

Just as today, hacking flesh from the BBC might let other people make money - some of them Tory grandees - but does it mean any improvement in telly? There's an argument now that ITV has suffered not because it's up against the BBC, but because commerical television can only flourish and not dilute the quality of its material while it has a monopoly, too.

And though I don't agree with the sentiment, I loved Churchill's masterful analogy for the political divide at the 1955 General Election:
"'Queuetopia remained Churchill's central metaphor for socialism in action - a term designed specifically to appeal to housewives. 'We are for the ladder,' he declared in his election broadcast. 'Let all try their best to climb. They are for the queue. Let each wait in his place till his turn comes.'"

Ibid., p. 33.

In all the book is a window into an age so much like and so different from our own - an expert piece of world-building, to use the science-fiction term. Interspersed with the names of films and performers, brands of cigarette and clothes, sportsmen and commentators and etc., the impression builds into a vivid portrait. It's a place of green smog that stings the throat like pepper and shrouds the stage from an opera-going audience, of "National butter", of the slow, slow end of rationing and the first shifts in public opinion on the medieval laws on homosexuality and on capital punishment. A glorious book and enthralling. I eagerly await the next volume.

Tuesday, January 26, 2010

Chased

The Doctor Who Restoration Team have announced the contents of the forthcoming DVD of 1965 stories The Space Museum and The Chase, which includes details of the extras, including:
"Last Stop White City (dur. 13' 15") - School teachers Barbara Wright and Ian Chesterton were the first people from Earth to travel with the Doctor and his granddaughter Susan in their time and space vehicle, the TARDIS. From their first step into the TARDIS in 'An Unearthly Child' to their departure at the end of 'The Chase', the duo were involved in sixteen thrilling adventures that captured the imagination of a generation. This documentary tells their story. With actors William Russell, director Richard Martin, studio vision mixer Clive Doig and writer Simon Guerrier."
The DVD is out in the UK in March. I've got a few more credits to come on Doctor Who DVDs - for example, as the boss Tweeted today:
"Noel Clarke (@NoelClarke) signed up to narrate challenging doc. Likely release date early 2011. Produced by Guerrier Bros."
I've also received my special edition DVD of Girl Number 9, featuring some particularly good not-walking-into-anything acting from me.

In the mean time, I'm pitching every which way, have a thing to finish by Sunday and got odd bits of work and training cropping up. Shower is still out - will post some pictures sometime - so I've been much better at going to the gym, since then at least I can wash. And I've also got a great long post to write about Something Important, but that will have to wait until next week.

Monday, January 25, 2010

The poseability of Isskar

Alex was off buying toys again when he spotted Play's splendid description of this Martian monstrosity:
"Reaching up to 7 feet tall, Ice Warriors were a large imposing race of reptilian humanoids from the planet Mars whose civilization was destroyed during The Doctor's search for a segment from the Key to Time."
Those last 15 words are wot I did. I matter and am important!
Isskar or one of his mates

Wednesday, January 20, 2010

Will scrawl for food

Not dead, just busy with all manner of efforts to be gainfully employed. Freelancing involves a lot of pitching and begging and poking of feet into doors, but in the last few months my hit rate has been down.

Got plenty of work on, and am working every spare moment, but not all of it's very highly paid. Then there's the projects which get cancelled when I'm already well into them, or the fun discussions after delivery where it turns out the bosses can't pay all that they said.

This sort of thing has gone on since I went freelance back in 2002, but it seems to be happening a lot more in the Current Climate. There seem to be far more people gunning for the jobs, and that can even mean the applications process is all much more complicated so as to ward some of these people off.

But a desperate Tweet earlier this week has paid off rather nicely, and I've spent a busy few days pitching stuff every which way. Got some meetings and things coming up, too, so it's all looking a bit more hopeful.

In the meantime, I had a lovely afternoon at the NFT on Saturday, with Bernard Cribbins on fine form as he entertained a packed cinema mostly full of geeks. I think I must have known half the people there, and got to say "Wotcher" to most of them. Also chastely admired a pretty lady two rows in front, before realising it was Channel 4 News' Samira Ahmed.

On Sunday, the Dr dragged me from the typing to go see Sherlock Holmes. Must admit I dragged my feet a bit - I've avoided Guy Ritchie since Revolver [my review of which has vanished from the Internet; I shall look into that]. But it's a smart, exciting and funny film, packed with glorious details, from the works of Conan-Doyle himself and Victoriana. The House of Lords is too wide, and an insider would spot that it's got the wrong walls and ceiling. And Tower Bridge was built in 1894, so some years after Holmes' fateful adventure with the chap with chalk on his lapel. But that's me desperately trying to find fault with the thing. Go see; it's really good.

Oh, and the church down the road is now extolling that Jedward is a lot like the story of Jesus:

Jesus has the X Factor