Pedro (? - 2023)

Pedro, by Nimbos

This morning, we took turns to say goodbye to Pedro, our grumpy, once-chonky cat, before the Dr escorted him away on one last trip to the vet. 

A few weeks ago we thought he'd been knackered out by the hot weather; he wasn't unhappy, just listless. When the rain and chill hit, he didn't recover his energy. Then he was losing weight. I took him to the vet last week already expecting the worst. They found him full of cancer and he went downhill quickly. We'd booked him in for a final trip to the vet later this week and this morning had to bring that forward. He didn't even need the injection - in one last, typical act of defiance, he died as they were preparing it.

Oh, that cat.

Why 'Pedro'? I've been asked this a lot over the past five years. The rescue home where we found him in the summer of 2018 had a simple labelling system; each new cat they received was given a name beginning with the next letter in the alphabet. When this scrawny character arrived at their door, they'd just had a cat given a name beginning with 'O', so next in sequence was 'P'. They already had a 'Pete', hence 'Pedro'. The home assumed we'd come up with something more suitable soon enough but seven year-old Lord of Chaos was horrified by the idea we would dare to change his name.

It was a good name for quite a character.

The first time I took Pedro to the vet, sometime soon after we adopted him, he managed to make his feelings known by spraying piss through the slots of his carrying case, soaking me in the process. He then reached out a claw and caught my arm, so I arrived at the vet covered in piss and blood.

This delighted the vet, not least because Pedro had clearly got it all out of his system. So she picked him up and made soothing noises, and he pissed all over her.

Blimey, he could sulk. Rain and snow were obviously our fault. Woe betide anyone who sat in his chair (it's my chair, where I do most of my work). Or obstructed his comfy seat on the back of another sofa, where he could half slump on top of the radiator. Or if there was anything in the way of where he liked to laze beneath the front window. He declined to use a cat flap; you'd be summoned to open the door.

His grumpiness was matched by his greed. Pedro's dinner time was 5.15 each night, so from about 2 he'd trot after you hopefully, his forlorn wail of a not-meow more fitting a cat one-third his size. But Pedro was a survivor, having lived for some time on the mean streets of Streatham before we found him at a rescue home. You could see those survival skills in his scavenging and thieving, and the way he'd go crazy at the barest sniff of a plastic box full of chow mein.

Or duck. Or tuna. Or roast dinner. Or cheap sliced ham. 

Pedro was also affectionate - and not just when we were eating. Until recently, he liked nothing better than to sleep at the end of our bed, on the Dr's feet. If it was cold, he would move gradually up the bed, sometimes reaching the pillow. When the children were away - at school or overnight somewhere - he'd often curl up in their beds. If I was watching some hokey sci-fi late at night, he'd cuddle up, particularly enamoured of the twirling coloured lights in a star field or space battle. He weathered, usually with patience, a lot of cat squeezing and love.

What a lot of love we doted on that cat.

Charles Hawtrey 1914-1988 The Man Who Was Private Widdle, by Roger Lewis

Charles Hawtrey of the Carry On films had an alcoholic cat. It was,

“pampered with port-soaked sugar lumps, its bread and butter sprinkled with Cyprus sherry, [and] used to walk into doors and see double when chasing mice.” (pp. 70-71)

This is just one extraordinary, sad and savage anecdote in Roger Lewis's pithy biography. Lewis has been diligent in going through BBC and BFI paperwork and in talking to those who knew Hawtrey in person. As well as the cast and crew of various productions, Lewis spoke to cab drivers, publicans, neighbours, and is good on the gulf between the cheery, cheeky persona captured on film and the angry, lecherous drunk of real life. 

Hawtrey's meanness is quite something:

“Of necessity [Lewis claims] he was frugal, penny-pinching. He maintained his account at the Royal Bank of Scotland (Piccadilly branch), because he believed the Scots would keep a beadier eye on their customers’ shillings. He’d lug bags of carrots from Leeds to Kent, because vegetables were cheaper in Yorkshire. He pilfered toilet rolls from public lavatories — or at least his mother did. She was notorious for wiping out supplies at Pinewood and, when rumbled, tried to flush away the incriminating evidence, which blocked the drains, closing down production on Chitty Chitty Bang Bang. Hawtrey was told that in future his mother would have to be locked in his dressing room.” (p. 72)

That's a fantastic a story but I'm not sure it can be true as Chitty Chitty Bang Bang began filming in June 1967 and Wikipedia claims that Hawtrey's mum Alice died in 1965. Lewis doesn't provide a source.

There's lots on money here. Hawtrey and his costars did not get rich from the Carry On films but producer Peter Rogers did. Instead, Hawtrey converted his house in Kew into bedsits — though implied to Roy Castle while making Carry on Up the Khyber in 1968 that he owned a “block of flats”. But Lewis says this enterprise didn't work out, and Hawtrey ended up being “ripped off” (p. 89). He retired to Deal, got banned from all its pubs and finally collapsed in a hotel doorway.

It's a troubled end to a troubled career. Hawtrey “never mixed with the rich and famous” (p. 12), and yet and some notable early roles. As well as playing several women on stage, he understudied Robert Helpmann as Gremio in Tyrone Guthrie’s production of The Merchant of Venice at the Old Vic, the cast including Roger Livsey as Petruchio and, in a small part, the future novelist Robertson Davies. A couple of years later, Hawtrey was in the cast of New Faces, the show that debuted Eric Maschwitz's hit song, “A Nightingale Sang in Berkeley Square.”

But Lewis shares excerpts over three pages from polite, curt rejections from the 1940s and 50s. Then, on page 61, he gives a long list of names at the BBC that Hawtrey wrote to in radio and TV, but concludes that these were,

“all radio or television apparatchiks, and not a single one of these names rings any bells with me” (p. 61n).

In fact, the list includes television pioneer Rudolph Cartier, Cecil McGivern (Controller, then Deputy Director of Television) and Shaun Sutton (later Head of Drama). I recognised various jobbing staff directors from the drama department, and Graeme Muir from light entertainment. So Hawtrey wasn't just writing to “everybody at Broadcasting House, from the Director-General to the janitors”; this is evidence of his range and aspirations — a serious, dramatic actor as well as comic foil.

Doctor Who Magazine #576

The new issue of Doctor Who Magazine is devoted to forthcoming Easter TV special Legend of the Sea Devils, but there are a couple of bits from me.

First, there's a tribute to the actor Henry Soskin who, as Henry Lincoln, co-wrote The Abominable Snowman and The Web of Fear, and - under another pseudonym - The Dominators. Lincoln then want on to investigate the Knights Templar, and co-wrote the best-selling The Holy Blood and the Holy Grail. It was a fun challenge to dig through the various things said about - and by - him to piece together the true story was; how very fitting for him, I thought.

Then the latest instalment of Sufficient Data is on the different cat badges worn by the Sixth Doctor, as always illustrated by the amazing Ben Morris.

Shaggy

This morning, the Dr and I took our poorly, frail cat Shaggy to the vet one last time, where he was quietly put to sleep. It was quick. It has all been horribly, mercifully quick.

For months now, he’s been losing weight and confidence, no longer daring to go outside in the cold and wet, let alone to brave the domains of Other Cats that he once kept in line. Then, in the last few weeks, he’s taken a sudden turn for the worse and been miserable, too. This morning, there was no fight to get him into his carrier, no resistance at all.

Thirteen and a half years ago, Shaggy was my wedding present to the Dr. Growing up, she’d not had any pets but could never pass a cat in the street without stopping to say hello (she still can’t). The day after we got back from honeymoon, on 14 July 2004, we headed to what’s now Battersea Dogs & Cats Home.

The Dr was jumpy with excitement, so my role was to be the cool, collected one. I reminded her on our way in that we’d been warned not to expect to take a cat home that first day. No, this was just the start of the process. We were interviewed about our past experience with pets (I grew up with cats, dogs and chickens), about the kind of home we could provide and whether there were dangers such as nearby busy roads. They concluded we needed a nice “entry-level” pet. There was a colour-coded system: we were told to look for green cats.

Then we were led upstairs to where the cats were waiting. They were all in individual hutches, inset into the wall floor to ceiling, each with a card giving details of their temperament and background. Older, crosser cats had red stickers. One particularly furious red beast glared at us from its cell. The yellow cats did a better job of imploring us to love them. The green cats hardly seemed to notice us at all.

As instructed, we looked at the green cats. They were… cats. All very nice but nothing exactly suggestive of how we were meant to choose.

Then they let some green cats out, one at a time, so we could get a better idea. One dark-haired cat with both green and yellow stickers was set down on the floor and wandered nonchalantly off, barely glancing our way. The Dr had his card and asked why he’d been called “Shaggy”. The person showing us round grinned and clapped her hands. It made us jump – and Shaggy, too. His thick, long hair all stood up on end, an endearing scruffy mess.

Sensing our interest in this ridiculous creature, it was suggested we pick him up. The Dr was nervous, so I went first. Shaggy immediately collapsed into my arms, snuggling up like a baby. That did it for my cool composure.

Now it seemed that we might get to take this purring fur-bag home with us that same day. That was, if we could sign all the paperwork and buy up all the equipment we needed before Battersea closed for the evening. There was a bit of a scramble and some crossed wires, but finally we were in our cab home – cradling our new cat.

Back home, we did as instructed and shut ourselves in one room before letting Shaggy out of his carrier. The idea was not to scare him with too much at once: he could get used to one room at a time. (Years later, our surviving cat, Stevens, was so terrified on her first evening with us that she spent the night clinging to the top of a door, and only came down to pee all over the floor.)

Shaggy was never shy. He immediately took charge of the room – our bedroom – and was then scratching at the door. Within an hour or so he’d taken charge of our flat. And that night, we were woken by his happy howls on discovering the mouse problem we’d inherited from our previous tenants. Shaggy, for all he was a beautiful, soft fluffball, was a very practical mouser.

He was always a character. When one friend came round to meet him, Shaggy playfully climbed on to a potted plant in the front room and – brazenly staring all of us out – proceeded to crap in it. He was fascinated by frogs, scooping them up from the old pond at the end of the garden and bringing them into show us them leaping around. When the Dr was bedridden with sickness, he helpfully dropped a frog on her head.

In short, we’d hoped for a good entry-level cat and Shaggy was magnificent. Affectionate, cheeky and rarely ill until these last few weeks, he’s given us a very easy ride. He’s been quick to warm to friends and neighbours (I discovered he’d been getting second breakfasts across the road each morning). More than that, he’s seen us – the Dr especially – through plenty of tough times over the years, always knowing when to pad softly over for a cuddle and that deep bass purr.

He had such a close bond with the Dr that we worried how he might respond to children, and so got a second cat in part to prepare him. But Shaggy was just as affectionate with the interloper cats and then with the children, snuggling up to them and suffering their clumsy but well-meant attention. One friend used to guarantee good behaviour from his daughter with the promise of visiting Shaggy.

For our own Lord of Chaos, Shaggy has always been part of the family, and they had one last cuddle this morning before school. His name is one of Lady Vader’s few but well-practised words. It’s hard to tell how much they take in what’s been happening or how it will affect them. I suspect the main issue they’ll have to deal with is their tender parents.

We knew Shaggy was getting on in years. He was a kittenish 15 months-old when we acquired him so would have been coming up to 15 years now, somewhere between 75 and 90 depending how you calculate cat years. That’s not a bad age, and it’s not been a bad life – doted on by the Dr and spoilt rotten when I wasn’t looking. You could tell when he wasn’t happy, and that’s been mostly rare: when we didn’t share prawns or tuna; when we were ever packing a bag he couldn’t climb into; in his long war of passive aggression against my mother-in-law; in these last few weeks.

This morning the Dr and I went with him to the vet, and soon it was all over. We buried him with his favourite pink mouse toy in the garden, in the corner he’d always made his own because it caught the sun.

Doctor Who and the space owls

The super new issue of Doctor Who Adventures boasts previews of forthcoming episodes Mummy on the Orient Express and Flatline, reveals all about the Special Weapons Dalek and boasts a new comic strip by me.

"The Court of Birds" sees the Doctor and Clara in the sky of the planet Hoopoe. I'm especially exciting to write for the new incarnation of the Doctor, and thrilled as always by John Ross's extraordinary artwork. The colours are by Alan Craddock and the fine Moray Laing and Craig Donaghy let me get away with such silliness. Doctor Who Adventures #356 is in all proper shops until 21 October or available on the Doctor Who Adventures website.

Stevens

Two weeks ago tomorrow, our beloved, daft Blue Cat was hit by a car. We think she was returning from a raid on the bins of the fish and chip shop on the main road, and it looked like she wouldn't have known anything about what hit her. In some ways, that's how I'd like to go.

We've been devastated by the loss, even now expecting her to prowl through the catflap at any moment, "prooting" and asking for food with her customary lick-lick-bite-bite. Our other cat, Shaggy, has sat watching the top of next door's garage, where Blue Cat liked to sleep, as if wondering why she's still not been down for her tea.

But we now have a new cat, Stevens (yes, named after both Yusuf Islam and The Green Death):

Our new cat, Stevens

Stevens is a much shier, more cowardly cat than Blue Cat, or at least she was. Since yesterday she's been hollering at the top of her voice in the middle of the night, and craving of attention. Which suggests she hasn't yet been neutered and is currently on heat. So we've booked a trip to the vet for a few weeks' time.

Poor old Shaggy is rather terrified of her, I think because she wants something he cannot provide. Kenneth Williams and Hattie Jacques? That's my household at the moment.

Zoe again

Those splendid souls at Big Finish have announced that I've written another Doctor Who story for the Second Doctor, as told by Wendy Padbury (who plays companion Zoe). The new story, The Uncertainty Principle, is out in August. It follows on from my last one, The Memory Cheats - and again features Charlie Hayes as Jen. Here's Anthony Lamb's thrilling cover:

As you might have noticed, I've been a bit to busy to blog much. But I mean to, one day. Yes, one day...

(Thrilled to discover this is post #1066.)

Hundred year-old cat

The builder currently rebuilding our house made a cool discovery:
The house is at least 100 years old, possibly late 19th century. And there in the original brickwork are the paw prints of a cat. We're going to leave them on show.

AAAGH! goes swimming

Another AAAGH!, this one from Doctor Who Adventures #230 and featuring Craig the Sea Devil, a cat nun, a Cheetah person and a Hath. Written by me, illustrated by Brian Williamson and edited by Natalie Barnes and Paul Lang - and reprinted here by kind permission. Next time: Let's kill litter!

Basket case

Blue Cat's protest sit-in while building works commenced this morning:

House proud

I've scrawled a great long thing for the Big Finish blog on the writing of Doctor Who & Home Truths.

I've also seen a more-or-less final version of something I'm working on with Codename Moose - he is clever. Have the last bits of that to chase up as well as getting going on the next two commissions. No, I can't tell you what it is yet. Also waiting on approval of a couple of things I've pitched for which I really hope I'm allowed to do.

And, completely unrelatedly, I had a new dinner table delivered at 06.45 this morning. Didn't half confuse the cat.

Ick

It is 29°C in my flat at the moment. Summer has finally hit in the last couple of days and the sky is a whopping blue swelter.

So it's a bit unfortunate, with the sweat pouring from my bits, that we are still without a shower. The man came on Friday to install it, only to discover that the plughole is in the opposite corner from our old one.

Normally this wouldn't be a problem, you just stick a pipe underneath. But it turns out the shower is positioned directly above the joists holding up our floor. It would be... overly eager to cut through them to make space for a pipe.

So our shower is now up on bricks, or at least blocks of wood. It means there's a bit more of a step into it, but it all seems to work. See how lightly I explain this, when on Friday it was quite the crisis.

However, that cunning solution means the tiler had to come back yesterday, smash his work of Monday and Tuesday with a sturdy hammer, and then re-tile around the slightly different space. He had already tiled our bathroom once before, a couple of weeks ago, so not surprisingly left last hoping we would not meet again.

So tomorrow the plumber is coming to fill in the last gap between the bottom of the shower and the tiled floor. Then, once it's all dry and settled - sometime Tuesday or Wednesday, if we're lucky - we will have washing facilities once again, and I will not be quite so smelly.

But golly. It's more than a month since we first found we had a leak, and it's all been horribly expensive. And the cat hasn't appreciated the noise or being locked into the kitchen while work has been going on. Fag-ash Lil that he is, at night he's been rolling in the dust and gubbins, then traipsing that all round the flat. It might be his revenge.

Sunday night gore

Spent the weekend writing things that needed being writ. Was still tocking away on the laptop last night as we settled in to watch telly. And one week before the return of Droo, cor, isn’t telly good?

First off, Tiger – Spy in the Jungle in which elephants filmed tigers being peed on by monkeys and having a scrap with bears. I remember when how they filmed nature documentaries was a separate programme, but these days the mechanics is just as much part of the show as the efforts not to anthropomorphise. And naw, hooza fuffy meow-cat?

Then Casualty 1907, a drama based on real cases from east-end hospitals just a century ago. For all it’s standard cops-n-docs with lashings of frocks and stiff collars, it scores many points for being so unpleasant. As I argued last week, the past is all a bit horrid. The Dr couldn’t watch David Troughton treating a broken leg, where he left splinters of bone lodged in the soft tissues for fear of doing more damage trying to fish them all out. And with the gangs and booze and squalor it helped give the lie to the idea that the country is now going to the dogs.

I also liked the use of a medical sun lamp to treat blemished skin – and the juxtaposition of the doctors’ own excitement about modern technology and lady smokers, and our own horror from What We Know Now. We were asked at a panel at Gallifrey to come up with new Droo spin-offs and I suggested a late Victorian Torchwood – where they’d be scandalously racy by seeing each other’s wrists. And that’s exactly the sort of thing I would have done: wireless telephony and women having opinions all part of the wild sci-fi madness.

Having watched the headlines (and does it strike anyone else as odd that planes crashing into houses doesn’t happen more often?) the Dr asked to watch Torchwood. Yes, she asked to watch it. Voluntarily. Because she’s got into it this year. I can’t think of any higher testament to how splendid this season has been.

Thought Fragments brilliantly rationalised and explained things I didn’t like about series one. We understand why Owen was a pathological shagger, what with having been so shagged by life. I liked how Ianto’s story didn’t mention but fitted round Cyber-girlfriend, and how Tosh (my favourite character, by the way) came to be studying space-pig for UNIT while at the same time being Torchwood.

(Nimbos, meanwhile, specualtes that Bernard Cribbens may be ex-UNIT, based on his having a red hat and a winged-looking badge. We shall see…) Am very excited about the Torchwood finale – though please no spoilers if you’re watching it live; I shall be out clubbing. (See how I slipped that in there, like I am still among da yoof?)

Then Storyville, in which Henry Marsh used an ordinary Bosch hand drill to do brain surgery on a conscious man. The documentary about his efforts to help with neurosurgery in the Ukraine made less of his opposite number being called Igor, and of the drill being low on batteries, than the news story implies. But the conscious patient’s sudden fit mid-operation was edge-of-seat appalling.

The Dr again couldn’t watch much of this and despairs at the consultant’s son who is twistedly unsqueamish. I am quite content watching the inside of people’s brains and faces, and am happy eating spaghetti bolognese in front of a TV screen that seems to be showing the same. It’s the threat of pain that gets me. The Dr once thought it hilarious when I went white at a description of Samuel Pepys being cut for a bladder stone. But as much as that was to do with having your old chap macheted open, it was the horror that Pepys probably only survived because his wife was rather house-proud. As a result, the dining-room table on which the op was done had been freshly scrubbed that morning.

Likewise, Marsh was dead-eyed in horror at conditions in the Ukraine, and it was heart-rending to see the long queue of patients, so grateful even when nothing could be done. Medicine is full of grisly drama about young and pretty people who just cannot be saved, but there was a constant awfulness that if the same cases were seen in the UK, something better could be done.

How much we take our own health service for granted. And how much we stand to lose. Marsh’s tetchiness often came from the stress of trying to help people despite monumental odds. But it was far more bitter and despairing at how petty empire building and office politics too often got in the way. That’s something where I suspect we are no better than the Ukraine.

The final part of the documentary saw Marsh and Igor guests of honour in the home of a patient they didn’t save – one Marsh seemed to say he’d made a grievous mistake with. After the brutal, unreasonable sickness and conditions we had witnessed, there was an incredible added weight to them drinking each others’ healths.

Feral

A dim animal, yesterday.

Cat portents

Snot and sore throat since last Tuesday is not the only sign that the nights are drawing in. The air bites briskly on the way into work, and the cat leeches our warmth at night.

I’ve been reading, researching and writing these last few days, mostly for some on-spec projects that I’ve been meaning to get to for ages. The cold may also be my body reacting to the fact that for the first time in maybe as much as three years I don’t have a pressing deadline. What a giddily light and airy world it can be. However do any of you cope?

Yesterday, we met up with A. and her new beau J., who have been visiting from New Zealand. We lunched on burgers (in the kiwi style, with fried egg and beetroot), got a tour round the fun old stuff in the Petrie Museum (for which I’ve been doing some of this ‘ere research), and then fell into the Birkbeck student bar, where five drinks were less than ten quid.

The Dr was able to join us having reached a good point in her own book-writing efforts – I’ve chapters to edit on the train tomorrow, as I make my way to Swansea. Plan is not to be part of the official convention, but rather part of the fringe. That is, in the bar.

Have heard from the best mate, as he storms through the Russian railway, while a colleague heard I’ll be in Sheffield next week and tantalised me with talk of Eyam. So next week I shall be reading a book about it.

Bird watcher

K. is staying with us at the moment. Last night we went to see peg-leg P. who suffers with a broken bone. Ate pizza, drank girlie white booze and gossiped outrageously, and then fell into a taxi home.

Prior to the night's festivities, K. managed a brief siesta. She closed the living room door so as not to be disturbed by the cat. But the cat is very disturbing. He clambered up on to his scratch-post / house / wossname and spent the whole time watching K. sleep. In the manner his sabre-toothed ancestors might once have watched sabre-toothed mice.

He is an odd animal.