Coming back to you now at the turn of the tide

From his hilltop retreat on the far side of the Continent (living what might almost be a monastic existence were he not shacked up with two russet-haired beauties), O. wonders where this week’s bloggings have got to. Keep your tractor on, old boy. I have merely been working.

And no, not the grubby, hands-in-the-soil, satisfying, constructive manual labour you gad about with. I speak of gentlemanly, gallant and not-at-all-gay employment, doing typing and getting the spelling right.

Monday and Tuesday was in the studio, which went exceedingly well despite the heat, some last-minute changes and me managing to piss off someone I was genuinely trying to make life easier for. Words have been exchanged and I think I have expressed the meant sentiments. Things will be different and better now, but golly, I haven’t got it this wrong since my teenage self tried to impress girls.

(I’ve since learned the painful lesson to that one: don’t try to impress the ladies. At best endeavour to be tolerated. Or barely even noticed.)

Anyway. Have also interviewed a lot of people, scheduled some things, written some other stuff, sorted various oddments out for my sister, been to the Dr’s leaving do (for she has of Friday joined the ranks of mercenary freelance hacks) and to a works outing stuffed full of writers, managed a good couple of hundred words’ worth of research and seen off four full days at the cut-and-paste grindstone.

This exciting daytime monotony continues all week, but is much needed and pays well. Today I was able to solve a tricksy bit of pasting with the sly remembrance of tables. My trs and tds were enough to do the business, but getting the sub-heading td colspan (of six, code fans) to match the brand palette was really pretty clever.

No, nobody else was much bothered either. But the only other highlight of four days’ grind was finding the phrase “genuine sea change”. Yeah, well, it seems funnier when you’ve done nothing for hours but CTRL+A, CTRL+V and staring into the white abyss of the screen while it hints at saving changes.

Anyway, what is a sea change? And how can such a thing be ingenuine?

Of course, Michael Quinion has the answer:

“Pundits and commentators who think it has something to do with the ebb and flow of the tide, and use it for a minor or recurrent shift in policy or opinion, are doing a grave injustice to one of the most evocative phrases in the language.”

Michael Quinion, World Wide Words, SEA CHANGE.

But this is not all. The Dr and I toddled along last week to a private view of Gillian Westgate’s paintings at the City Inn round the back of Tate Britain (to be there, it says on the back of my commemorative postcards, until next month). Her East London vistas busy with street furniture (a fancy way of saying lampposts and overhead cabling) reminded me of the detail in the work of Robert Crumb, a faithfulness to the ugly technicalia that crowds our urban lives (and makes his grubby, lusty tales all the grubbier).

The streets themselves are threatened with Olympic regeneration (though “threatened” is probably not the right word at all), so these also document social and architectural history, like that St Etienne movie I caught last October.

I also liked Gillian’s quirky Quink series, pen and ink drawings of cowboys in the same East London setting, playing off the lost Victoriana of both the wild west pioneers and the heydey of Shoreditch’s now decayed buildings. But I’ve always been a fan of illustration, and bored the Dr on the way home with musings about David McKee and the work of Colin MacNeil…

The Dr is in Scotland until Thursday and saw seals playing in the water, a castle, some Whistlers and the work of Rennie Mackintosh. Yet I have the cat canoodling on my lap as I attempt these words, so reckon that I am the winner.

More soon, if this little update hasn’t put you off altogether. And in the meantime, my friend Falldog is just starting out, so go give him some encouragement.

Production code

It was only announced last week that the guv’nor is leaving his job, but I’ve of course known a bit longer than that. Making me the Gary Russell of Benny was part of his exit strategy.

I used to be a project manager and the skills acquired back in my youth have been dusted off, darned-where-needed and clambered into once more. But producing is, I have learnt in the last fortnight, quite a lot more work than I’d expected.

The Big Finish announcement says that “Gary will still be on-hand to ensure an 'orderly transition'”, and that's true. He's already had several panicked calls beginning, “Help! What do I do?!?” He also picked up something calamitous that I’d entirely missed.

Bookings have been dealt with and double-bookings sorted out (and a system agreed so that it won’t happen again). Schedules have swapped round to accommodate a last-minute change (did I mention that Dr Darlington is a hero?). Someone else absolutely essential to all we do is going to be on holiday, but we’ve got the perfect stand-in who’s been fully briefed. An undelivered script has been traced, picked up and hand-delivered (on foot on a baking-hot yesterday), lunches are sorted, trains agreed, monies and contracts all sorted, pronunciations discussed and now I’m off to collect something vital, before collapsing into a heap for the night.

Have also done a wealth of interviewing recently, with a wealth of more to come. And writing. And editing. And an agreed conjoinment of two persons to make one that is better than both (a bit like those Transformers that could team up and become one, bigger robot). And now there’s another 12,000 word commission for the end of August. And a five-day-a-week, ongoing freelancing gig in the midst of it.

So you may not see me here much for a bit…

100 things

M'colleagues have set up a new blog about our very much forthcoming Dr Who anthology, "The Centenarian".

I have a written a long, rambly post that doesn't reveal a great deal. Hope m'colleagues will do the same sometime soon, or else I'll look a right old swot.

Some other anagrams of Edward Grainger:

Dad grew a ringer
Rearward edging
Rwanda egg drier
Green Wing RADAR

The Universal War - part two

Introduction
Part one
 
 
 

The Universal War - part one

Introduction
 
 
 

To be continued in part two. 

The Universal War

This is the cover of "The Universal War", which I wrote (and drew) when I was about ten. Happy birthday, Tom. Part one to follow. 
Part one
Part two

Good news and bad news

Good news first. Having blogged yesterday I popped to the shops for a copy of the Times - and was a bit surprised to find that the brother's jaunt occupies all of page 3. And he gets a credit for his precious photos.

He's on page 9 of today's Metro and all (I'm told - haven't seen a copy and it's not up on the site). Further media interest is due to follow...

As well as a paper, I also bought my first batch of Dr Who stickers, having been a bit late in the game. And I now have my first swapsies. The lucky numbers are: K; L; M; 65; and 184.

Suspect these might not be easy to get rid of as they're the ones free with Radio Times.

Have spent a day running about not buying a chair and trying to sort other things out. Full of adrenaline and sugar as things come together, so am a bit worried that it'll all fall to bits the moment the pressure's off, like the newly regenerated fifth Doctor delegating saving-everyone to K9, though the tin dog had left 10 episodes before...

I. has just texted to say that Syd Barrett has died, which makes me think of working into the evening on some meagre attempt at art, in a disused squash court with a wobbly tape of Relics playing over and over. And fellow (and more talented) artists squabbling about what they could put on instead that would be less weird, less funny and less unsettling.

Went to look at the obituary and what Bowie had to say, and see there's been more people blown up, and we're destined for more unclear power.

Hmm. Freudian typo there. I'll leave it. 

Quite right too

K.'s 39th birthday (you can trust me on this) went smashingly on Saturday, in a lovely little pub by Euston with a DJ and dancing and lots of talking rubbish.

K. had also organised big-screen Doomsday, punters assembled before a projector screen as if it were a new kind of England game. The sound popped and pixellated every now and again, but otherwise we were dumbstruck. Cor, that was a bit bloody good wasn't it? See right for one quarter of the verdict from the Time Team.

Some things do trouble me. Couldn't some Cybermen have held on to something? And anyway, Tracy-Ann Cyberman hadn't jumped between dimensions, so wouldn't be all sticky with void stuff. (I suppose, though, that she was built from spare parts that had been).

Like Charlie Brooker's not-a-review, this is not to criticise but borne out of love. Perhaps it's just the freelance hack in me looking for ways to cash in with merchandise, but I thought, "Ooh, there's another story there..."

I'd also come up with a completely different reason for how the Daleks came back: we see in Bad Wolf that their teleport-wossname leaves behind dust (so that Dr Who thinks Rose got disintegrated). And when Captain Jack wakes up again in Parting of the Ways, all that's left of his executors is the same sort of suspicious white powder...

But anyway, can't wait for Christmas.

Speaking of things in newspapers, the brother's wild adventure has made it into today's Times. 

Self improvement

Five things I have learned in the last couple of days:

• David Darlington is a hero.
• I., my evil overlord guv'nor, does not like pineapple.
• Dr Who does not wear pants or socks, the little scamp.
• Mandarin characters (I think they were Mandarin) don't copy and paste easily in Word.
• When texting someone, "I'm sending you a script!" predictive text wants to spell the last word as "rapist".

Deliverance

For the first time since I went freelance 47 months ago, I have missed a deadline. The particular boss has been terribly understanding and it's not been entirely my fault, but it's still something of a nuisance.

Still, the thing has been delivered five days late (or three if your weekends aren't working), and I am entirely in love with the pretty picture to go with it. You'll have to wait and see...

Other work has quietened down too - though I missed seeing Dr Who swotting West Wing on Tuesday due to pre-paid commitments in a house. The Doctor had fun, though admitted surprise at Mr Tennant's geekery, and again bewailed the socially inept demographic she and her girlfriends have all settled for.

There's plenty more on my slate but it's all rolling onward and we've overcome a plethora of last-minute hiccups. I repeat to myself the unofficial maxim of the modern NHS: if it doesn't kill you, it makes you stronger. And I am not dead yet.

Nor is K, who is staying with us for the next couple of weeks. She survived a first night with the cat (there'd been some concern about allergies, but she thinks its only dogs now), and also the sight of me manfully topless.

This morning I climbed on a train with a reading book and not print-outs to red-pen. Am delighted by how The School turned out - and so is Tapeloop, which is nice. I have also bought flowers for another man's missus, and talked tracing with the far end of the Earth.

Off to the pub tonight as it is that time of the month again. May even have time tomorrow to shout lunch for the accommodating boss.

And maybe, just maybe, I'll write a post that's actually *about* something. Blimey.

Coterminosity

Is a word I learned today. Its the state of having shared geographical borders, so is a bit like "proximity" but a bit snugglier.

It has been swelteringly, tropically hot today, apart from the moment of sudden rain that caught my boss G. We think this might be the gods' response to years of tradition and wigs coming to an end this afternoon.

(Lords mostly cheered at her announcement, though I think there were cries of "Out of order" from the torier benches. And there was another big cheer when the Lord Chancellor whipped off his wig.)

Anyway, as well as cutting my way through the office with a machete, I have edged nearer to finishing something big (and approved a splendid picture for it), dealt with an embarrassing misunderstanding that almost dropped me right in it again, and had some notes on more things I must do. Also got a copy of my Sapphire and Steel play, though not had a chance to hear it.

If I were clever, I'd make some link to coterminosity with our American neighbours...

Two years ago we were in Livonia watching fireworks that went on for weeks. Recommend Alex's thought for the day.

Collapse at the coalface

Arg.

This is something of an understatement, but will have to suffice for this family blog.

On Saturday my already packed schedule got a little bit busier, later than "the last minute" by one month and one day. Though the extra straw has not (yet) broken this camel's well-exercised back, I did hurry home after tea and Dr Who with Nimbos, and was still typing away desperately at 3 in the morning.

The end is now thankfully in sight (well, in one of four current big projects), but being pre-booked with work today and tomorrow has not exactly eased the blood-pressure.

Also, yesterday my long-lost friend Daniel popped round, who I'd not seen in sevenish years. We took him (and Nimbos) to Crystal Palace's Victorian Fair, where we had a picnic and watched the Dr cavort on the not-too-scary carousel. Some very splendid pictures to follow, when Daniel's back in Sweden and can send me them.

The day seemed to be in part a celebration of IKB's 200th birthday, and 70 years since the Joe Paxton's enormous great greenhouse burnt down. There was wrestling and a ferris wheel and various stalls of knick-knacks, and the Dr got drawn in by the glossy pictures a chap from the Crystal Palace Foundation showed off. She was very good and ladylike, and didn't dispute his using the word "Italianate" when describing the Greek stuff.

We wended round by the monsters again, feeding ducks with our rich, new-fangled bread, and ended up in the pub for a pint or four. Then we headed back through the park, showing Daniel how the ruins look like Greek stuff.

Being of an archaeolgical bent, he was delighted to see "modern" ruins - and we discussed how apocalyptically sci-fi a Victorian would find the state of such an icon. Like the overgrown Washington DC in Logan's Run, said Nimbos - though we don't talk about 30 being past it just now. I was also minded of Shelley's Ozymandias, king of kings, the ruin of whose works should make the mighty despair.

Yes, I have read another poem.

Anyway, hot and slightly tipsy we headed home for tea, and I got the washing up done just in time for Dr Who. Daniel coped with not having seen any of the rest of New Show, though he did pick up on the Egyptian Mummy, which shows he paid attention when I educated him in our cultural heritage all those years ago.

We discussed the apolyptically sci-fi icons New Show has bumped off in the captial: they've broken the clocktower at the Palace of Westminster and shattered the glass in the Gherkin. And now the big tower at Canary Wharf turns out to house scientists making jumps to alternate universes, and all because of things left by the Daleks.

That's a neat idea, isn't it? But if they're going to blow it up, they'll be late by two weeks.

I don't absolutely talk about boils

Have just finished Right ho, Jeeves, in which Bertram Wooster finds himself in tricky circs. as he struggles to help out his chums.

Newting teetotaller Gussie Fink-Nottle is too timid to chat up his beloved Madeline Basset; Tuppy Glossop has fallen out with his finance Angela after pooh-poohing her shark; Bertie’s Aunt Agatha has yet to come clean about all the cash she gambled away in Cannes; and Anatole, Aunt Agatha’s highly strung chef, is threatening to resign.

Worst of all, Jeeves seems to have lost his usually brilliant psychological insight. At least, that’s what Bertie’s insisting…

It’s probably little surprise that I pictured this all the way through starring Stephen Fry and Hugh Laurie, with ad breaks between every chapter. I’d watched their telly version avidly, but this is the first time I’ve tried one of the novels.

Had tried Wodehouse before but was irritated by the posh fripperies of life at Blandings and put off his golfing short stories by their being about golf. This, though, proved something else – funny, fizzy and delicious, and a right old pleasure to read. I’m told it’s one of the better ones, and it felt like sipping Champagne.

There’s some wonderful wordplay and turns of phrase, giddily narrated by Bertie, who only just follows what’s going on himself.

That said, the book was written in 1934 and I couldn’t help think of Roosevelt’s New Deal and what Mr Hitler was up to by that point, and of the ominous Things To Come.

(Oddly, no one seems to be selling the Region 2 DVD version of that which I've got.)

There’s just one aside about the real world:

“I was reading in the paper the other day bout those birds who are trying to split the atom, the nub being that they haven’t the foggiest as to what will happen if they do. It may be all right. On the other hand, it may not be all right. And pretty silly a chap would feel, no doubt, if having split the atom, he suddenly found the house going up in smoke and himself torn limb from limb.”

PG Wodehouse, Right ho, Jeeves, pp. 170-171.

This reminds me of Chaplin’s Great Dictator, in which there’s some silly mucking about in a concentration camp, an astonishingly misjudged laugh. Chaplin later said that he regretted these scenes, and would never have dreamt of doing them had he known what the camps really involved. Though there’s arguments about what people would and should have known at the time, it now plays as woefully crass.

Wodehouse is even more overshadowed by our knowledge of later events because of accusations that he collaborated with the Nazis. I’m aware it’s complicated, and McCrum’s Wodehouse biography awaits me next (the far side of some urgent writing of my own). Am very interested to see what he makes of that. Have an idea for a story…

Last year, before researching Cromwell’s campaign in Ireland, I listed what I thought I already knew. What follows is more of the same – me throwing down my current position to see how far it’s wrong.

Right ho, Jeeves gives an insight into a long-lost and idealised world of servants’ balls and school prize-givings, where English society revolved entirely round the authority of landed gentry. We watch the bored, silly lives of the rich with their expensive hobbies, vanity publishing and horrendous taste in fashion.

There are a few other historical observations, such as Agatha muttering about the poor quality of whisky since the (first world) war. We’re also treated to the kinds of car and hat and holiday destination thought topping at the time.

It’s an "idyllic world" says to Evelyn Waugh on the back cover, one that "will continue to release future generations from captivity that may be more irksome than our own."

It’s written as if thus will it ever be, the young things trapped in one eternal summer. Bertie’s chums are always getting engaged and never married, and he himself ever evades ladies’ snares. It cannot last, surely – unless Bertie ends up as a lonely old bachelor shuffling alone round the Drones – but it’s a happy make-believe.

I can see that later books, written after the Second World War pulled the Empire apart, can be seen to hark back to a golden age of economic inequality. But you could argue, just, in this one that it subverts the class hierarchy of its time. Jeeves playing the toffs off against one another, and sending his master on an 18-mile goose chase, is of the same class of subversion as the Marriage of Figaro. That’s what makes it funny.

Does comedy have a duty to deal with contemporary issues? The appeal of Wooster is his refusal to take responsibility. His only desires are to eat, drink and be merry – and wear his ridiculous clothes. He’s not a mean person, though, forever causing trouble because he wants to help.

The problem is that ignoring the nasty realities seems less acceptable when the author then writes similarly witty accounts of having tea and cakes with Nazis.

I’m reminded of the end to Goggle-eyes by Anne Fine. One of the characters explains that life is difficult and stories can help. Some give you tips on how to cope with the difficulties, and others just give you a break from them. The best do both at the same time.

So a clever, witty and enjoyable book, but I’d have liked a bit more depth and texture Champagne, Bertie, is all very well but is better with Rich Tea biscuits.

Back and forwards

Spent some of today ringing round people trying to make something happen. Fingers crossed it will all go swimmingly, but there's something unnerving about calling people you've never spoken to before and asking them when they are free.

It must in turn be a challenge to sound both keen and wary...

Also been trawling through old emails for the purposes of research. Odd to find email from a me aged 24.5, discussing books I don't remember having read. And the young scamp's so enthusiastic.

He also seems desperate to be writing things and bored by his current job. Poor lamb's still got 18 months to go before he makes the leap that'll transform his life...

His girlfriend sounds quite nice though. And patient.

Had a nice long chat with the sister this morning, who becomes an Australian on Tuesday. She doesn't think that she'll have to do national service. Note to self: go out to see her.

And an email from the youngest brother, at the other end of Oz, to see if I've done the homework he'd set me. Ha! I've 300,000 words of things to get through first. But these things creep ever onward.

Hello to the elder me looking back on this post, recalling all this bustle with affection. Up yours, granddad.

The Library of St John the Birthdayed

Some of my more bookish correspondents complain that I did not include full details of the volumes received on Saturday. Having counted again, I also realise there are 20 of the blighters - and that's not including the collected "Gifted" which my boss Joe sent just because he's so nice.

So, in alphabetical order:

1. Baker, Tom, "The Boy Who Kicked Pigs", Faber & Faber, London, 1999.
   A grotesque and grisly story about a very naughty boy, and very funny it is too.
2. Banksy, "Wall and Piece", Century, London, 2005.
   Had bought this for M. and was terribly envious. Used to love seeing Banksy's stuff as I passed through Southwark, though I gather art galleries and museums are a bit fed up with his rubbish, teenage imitators.
3. Beresford, Kevin, "Roundabouts from the Air (ish)", New Holland Publishers (UK) Ltd, London, 2005.
   A collection of snaps of favourite 'bouts, include two shots of Pierre Vivant's glorious traffic-light tree sculpture I pinched for the front of a book.
4. Carey, David, "How it works - Television", Ladybird Books Ltd., Loughborough, 1968.
   Includes beautiful illustrations by BH Robinson, including Daleks on page 21, and a diagram showing how the Black and White Minstrels get into your house.
5. Fromkin, David, "A Peace to End All Peace - the fall of the Ottoman Empire and the creation of the Modern Middle East", Phoenix Press, London, 1989.
   Or, "How the Middle East ended up in such a godawful mess," as Liadnan wrote in it. "Perhaps somewhat harsh to the Palestinians, but nevertheless I find it a fascinating read. Hope you do too."
6. Gathorne-Hardy, Edward, "An Adult's Garden of Bloomers - Uprotted from the works of several eminent authors", The Bodley Head, London, 1966.
   21 pages of brief snippets from famous books which sound a bit rude. Such as this from Eliot's The Mill on the Floss, cited on page 13: "Mrs Glegg had doubtless the glossiest and crispest brown curls in her drawers, as well as curls in various degrees of fizzy laxness."
7. Gatiss, Mark, "The Vesuvius Club", Simon & Schuster UK Ltd., 2004.
   Some wild and wildean Victoriana from the author of "Nightshade" and "The Idiot's Lantern", starring a gent called Lucifer Box.
8. Grayling, AC, "Among the Dead Cities - was the Allied bombing of civilians in WWII a necessity or a crime?", Bloomsbury Publishing Plc, London, 2006.
   Was meant to go see Grayling speak earlier this year, and am looking forward to this a great deal.
9. Cole, Stephen, "Dr Who - The Feast of the Drowned", BBC Books, London, 2006.
   I've met Steve once, in 1997, when I interrupted an interview with him to ask my own questions. Got credited as "others". Ho hum.
10. Iggulden, Conn, and Iggulden, Hal, "The Dangerous Book for Boys", HarperCollins Publishers, London, 2006.
    Just full of spendid stuff I wish I'd been told betwen 10 and 13. Trip wires, grammar, the different kinds of tree - even how to talk to the female.
11. Low, George (ed.), "The Dirty Dozen - the best 12 Commando comic books ever", Carlton Books Ltd., London, 2005.
    A fat brick of a compendium in which war is hard but the British are plucky, and the Nazis are always evil and ghastly. Have read the first one already. Wished it included credits for the writers and artists.
12. McCrum, Robert, "Wodehouse - A Life", Viking, London, 2004.
    Wanted this especially as research for something I'm writing later this year, but N. tells me it's a great read once you get past Wodehouse's childhood. Am currently reading "Right ho, Jeeves" and will report on that soon.
13. Morrison, Grant and McKean, Dave, "Arkham Asylum - 15th anniversary edition", DC Comics, New York, 2004.
    Luscious, extravagent, slef-indulgent adventure for Batman which I'd loved when it first came out. I interviewed McKean earlier this year, too, which was nice.
14. Nobbs, David, "The Reginald Perrin Omnibus", Arrow Books, London, 1999.
    B. (who bought me this and really adores Nobbs) had been enthusing about Perrin only last week. Apparently the second book got written because Leonard Rossiter would only do a second series on the telly if it were based on a book.
15. Paterson, Don, "The Book of Shadows", Picador, 2005.
    A collection of brief observations and thoughts, sometimes terribly pretentious and uber-poet, and sometimes beautifully profound. And there are quite a few rude ones, too. This is from page 73: "I read a definition of the word 'solid': something which retains its shape; and find myself immediately terrified by the wilfullness of objects."
16. Rayner, Jacqueline, "Dr Who - The Stone Rose", BBC Books, London, 2006. Includes carefully researched British Museum action. On the way back from Jac's house I was amused by the Third, Second and First Avenues nearby, leafy no-through-roads a universe away from the gird-system, New Town and American model I assume they were based on.
17. Richards, Justin, "Dr Who - The Resurrection Casket", BBC Books, London, 2006.
    Justin told me I couldn't kill Ian Chesteron, and though we've stood in the same room a couple of times before, I actually meet him for real on Friday.
18. Roberts, Gareth, "Dr Who - I Am a Dalek", BBC Books, London, 2006.
    A glimpse of a paperback for the Quick Reads scheme, which opens with a lovely scene of the Doctor and Rose practicing being weightless inside the TARDIS.
19. Robinson, Tony, and Aston, Mick, "Archaeology is Rubbish - a beginner's guide", Channel 4 Books, London, 2002.
    A couple of the Amazon reviewers seem very cross about this book, but I've found the first half very entertaining, and full of little things that I really didn't know.
20. Shapiro, James, "1599 - A year in the life of William Shakespeare", Faber & Faber, London, 2005.
    Had read good things about this in the Dr's erduite press, and it will count as homework for next year's Dr Who.

So all in all I shall be busy for the next few weeks. Have yet to attempt the making of bread or afixing my shiny new monitor. Been a bit caught up with other pressing bits of work.

Oh, and Millennium asks (on his Day MM), after pictures of me looking... sleepy, that I look after Minimum.

Too late! The little fellow has been claimed for the Beast. 

Argentees and sparklers

A bread-maker, a zippy remote-control K9, lots of fine booze (including – hurrah! – some Bolly), a chair-to-come, a Dalek cake with genuine pyrotechnics, some Flaming Lips, a robot, a screen, a Minimum Elephant, 19 lovely, lovely books and a right old sod of a hangover…

Yeah, a rather splendid haul this year and the Dr surpassed herself with the party. As did my second wife, who should drink pink fizz more often.

Had a splendid time with lots of splendid friends, though the last hour or so is a tad blurry. Probably for the best, as some former colleagues of the Dr were discovering that it is unwise to call the bluff of a drunk.

M. says it’s a different experience watching Droo while standing up, and I loved Rose having to watch out for the Doctor’s eating jam and being weird at people. Is she also responsible for his knowing Eastenders and Kylie and the shenanigans at Club Med?

Others seemed less impressed, finding it all too girlie about the love and/or too boysie being nice about sport. I can all too believe that the tribal excitement of a big sporting event could generate sufficient power. Have fond memories of Burnley vs. Sheffield United in November 2000, and the contagious thrill surging round the stadium as the home team realised they’d won…

Hadn’t seen some people in ages and folk had come from far and wide; Bristol, Macclesfield, Brighton, Margate… Liadnan looked bronzed and handsome like he’d just wandered in from the Aegean. He’d bought me the Fromkin book he spoke about here which the Dr was a bit miffed about: she’s the one who reads the serious, clever stuff. I might let her have a lend, and will report back here on all the other reading. But I am a bit slow, so be patient.

Bernice Summerfield herself bought me “Archaeology is Rubbish” which I’m already 70 pages through. Know my spoil heaps from my robber trenches, and all sorts of other top facts which will generally improve my dating. The book is fun and engaging, using the second-person to draw the reader in, but it does rather assume you have a garden.

Apparently got to bed about three-ish. Remember it getting to one. Remember making R. laugh without meaning to, and being cunningly stood by the lashings of wine…

H. and J. couldn’t make it ‘cos they were watching posh singing but turned up yesterday for a picnic. Had not been very brilliant up to that point, but a walk, some champagne and some ice cream brought me round. We admired the monsters and then ambled home.

Caught the end of the football – and felt better for seeing Beckham spitting out a tiger. The play wasn’t brilliant and I’m more annoyed by the wobbles there than in the previous night’s Droo. Feel someone needs to take them aside and politely chide, “Now do come along, Ingerlund.”

Listened to Cantus, finally, and watched telly about museums, then French spirals, then spitting image. And at last sleep…

Fab weekend then, but I wouldn’t wanted to be 30 all the time.

Hello, old boy

Had lunch with the parents yesterday, at which my Mum told me a top fact: between three and three-thirty in the afternoon thirty years ago, I slippped out into the world. At quarter to four I had my first ever bath.

This was of especial interest to the Dr, who in our bathless abode misses a good long soak. No, I don't just mean me.

She was careful to look for differences between me last night in the winter of my 20s, and me this morning as a crusty old man. And claimed she could see no great different, though she may have been sparing the truth.

Have done rather well on the presents front already: a bread-maker and some suitable reading from the wife; a bag full of Dr Who Adventureses (including free gifts) from one of her henchwomen; and a spiff-tastic book from Nimbos explaining how to make trip-wires and treehouses. Hoorah!

The Dr has also turfed me out of the house for the afternoon while she prepares for this evening's festivities. Am a bit scared about what surprises she has in store. Have spent a nice time drinking tea and watching telly with Nimbos, not playing in the sunshine.

And must shortly head back home to the nice mrs, to drink and eat. And fear her.

Smiley happy people holding hands

“Some people act a memory, the Superintendent thought, noticing his concentration, others have one. In the Superintendent’s book, memory was the better half of intelligence, he prized it highest of all mental accomplishments; and Smiley, he knew, possessed it.”

John le Carre, Smiley’s People, p. 43.

And so my hunt for Karla comes to an end (having previously read Tinker, Tailor and the Honourable Schoolboy).

This would constitute quite a hefty spoiler were Karla’s presence not signposted in the blurb - and in the only clip of the telly version they ever seem to show. Which is a shame, as it would have been a corking great surprise to realise only late into the book why Smiley’s so excited.

It’s been a while since Smiley’s last work for the Circus (the officious and inelegant British secret service). But his paymasters want him to tidy up after the brutal murder of one of his old agents. Could he be a good fellow and ensure there’s no fuss?

But as old George walks his old haunts and catches up with his old (and peculiar) chums, he gets the sniff of a much greater intrigue. Retired, jaded, and estranged from his wife, old George may just have the nounce left to win one last, glorious battle…

It’s a gripping read, and like Tinker, Tailor navigates a treacherous path through unreliable memories and differing perspectives. You spend most of it lagging some steps behind Smiley, not quite making the connections that he can and hoping he’ll stop to explain.

It really gets across the slow-trudging monotony of cold war spy-work, tawdry and unglamorous, and very not James Bond. (The telly version boasts a brilliant cast including three Bond villains – two of them consecutive – as well as Maureen Lipman, Alan Rickman, Ingrid Pitt, Gatherer Hade and Lou Beale.)

I’m still a bit confused about some elements. Codename “Karla” (we’re never told his name) can’t have been Ostrakov because Mrs O. saw her husband die of cancer. So is Karla really Glickman, the lover she’s long-assumed dead? Does that play, or am I missing something obvious with my paltry dimness of brain?

The book makes a few things more explicit than the TV version – stating as fact (eventually) what Alexandria’s relationship is to Karla, and why that’d matter.

The TV version likewise provides stuff we don’t get in the book, such as the contents of Smiley’s letter to his caught-out Moriarty (reminding me of S Moffat on why he felt we should know what Reinette wrote). There’s also more to Smiley’s meeting with his estranged wife, Ann. Karla had previously used the Smileys’ problematic marriage to his own advantage, and in the telly version Smiley tries to protect her from any further danger.

In the book, though, he’s colder and more aloof – ending things between them without saying why. The implication (that I saw, anyway) is that he’s cutting himself off from weakness, rather than worrying for her safety. So Karla and he swap places – Karla showing human frailties and concern for family, Smiley coldly using this against him. As Smiley himself says:

“I have destroyed him with the weapons I abhorred, and they are his.”

Ibid, p. 391.

We’re kept guessing right up to the end about whether it’s going to all work out or implode into some grisly snafu. That uncertainty is helped by knowing that le Carre stories so often end with someone’s sudden and miserable death.

But whatever the outcome, it can’t be a full victory. Smiley’s people are used, abused and left strewn behind him.

Clever by mistake

'Scuse the inordinant boasting, but somewhat to my amazement people like me. Last year they really didn't, which just adds to the surprise. Cor and golly.

Today's Dr Who Magazine includes the "Off the Shelf Awards" results, as voted for by its many discerning readers. "The Time Travellers" has won the "Other Doctor Who fiction" category (i.e. them books that don't have Eccles on the cover), with a rather smashing average of 8.06 out of 10. Which makes me feel better about snittier reviews like this one.

"History of Christmas" came fourth with an average 7.61, just below "Fear Itself" and "Gallifrey Chronicles" - the two books I expected to be trounced by. And "Lost Museum" came third in the "Other Big Finish audios" category, the one I'd come almost bottom in last time. I were beaten by the Cybermen, which was always an ambition.

Hearty congratulation to fellow winners Gareth, Joe, Nick, Johnny, Mike Collins (who I've only met once, when he advised me to add guns and robots) and "The War Games".

There's also a generally positive review of something else of mine which concludes, "Whether or not this is intentional, the Settling is a refreshingly intelligent, layered play."

Yes, I know that's taking the Mr Michael out of context, but it still made me laugh.

Know your limits

Went to the opera yesterday, darlings, to see Mozart’s Cosi Fan Tutte. “That was simply lovely,” said the bloke next to me as it finished, which made me wonder if we’d seen the same show. He’d also been humming along and air-conducting, bless him.

Yes, it was jolly, lively and expertly staged and performed. The lead blokes looked strapping in breeches (I’m told), and the ladies were rather yummy too. It zipped along, directed with pace and excitement. But there’s something troubling about the story itself, something subversive – even sinister, as the Dr said.

Two Italian chums are dating pretty sisters and everything in their lives is just peachy. But the chums’ mate knows that women are fickle, unfaithful and devilbitchwhores, and bets the chums he can prove it.

Under the terms of the wager, the chums tell their girlfriends they have to go off to war, then return later in the day in different clothes and fiendishly good moustaches and pretend to be lusty Albanians. With poetry and flowers and the feigned taking of poison, they try to make their own birds unfaithful.

The women resist piously into the second act, but pushed by their slutty maid they ultimately give in to some naughties. And the wearing of another man’s pendant. To make things all the more galling for the chums, they’re bedding each other’s missuses.

For such a wild comedy, it ends on quite a lot of questions: will the couples stay together? What have they learnt? Can they be happy? And, depending how it’s staged, who ended up with who anyway?

The men, of course, are just as badly depraved as the ladies – testing them so duplicitously in the first place, and for a wager, and then doing the dirty with their best friend's lady, just to make some kind of point. This irony is not exactly acknowledged in the words of the singing.

Also, that they protest so strongly about female inferiority and sinfulness immediately makes you suspicious about who really ruled the roost when Mr Mozart was writing. You wouldn’t have to insist that women know their place if they were already meekly obedient.

(Sometimes I gaze wistfully at the Dr and pray the words “meekly obedient”…)

By protesting too much, the opera implies the weakness of patriarchy. It confounds the usual guff about universal and transcendant love, and the “happy” ending denies real closure. It may seem silly and giddy, but there’s something vicious and political in its underbelly.

Mozart got in trouble for writing stuff that upset the dignified courts of his day. In another one of his, a working class hero runs rings around his master, just prior to real working class heroes lopping their masters’ heads off. Not exactly the most tactful thing to set before the Austrian king.

Now I know there are lots of people who don’t “get” opera, let alone like it. But I think that’s a question of not knowing where to start with it – a bit like girls and science-fiction. (Yes, there are wondrous and pretty girls who know their Alan Moore and Akira. But these are – in my paltry experience, anyway – a terribly rare, terribly precious sub-species, who must be treasured, protected, cultivated and encouraged to breed.)

This may well be to do with reading strategies – of the kind I’ve gone on about before. Opera is usually a century or two old, with in-jokes about people who’ve been dead nearly as long. It helps to have an idea how to engage with the stuff.

This is not as difficult as it sounds, and can consist of three easy steps:

1. What’s Opera, Doc?
   Yes, the Bugs Bunny cartoon. If you are unmoved by this, give up now. Not just opera, give up the whole breathing thing, too.
2. Frasier: Out With Dad
   It starts with Frasier’s dad muttering that opera is all so improbable and silly, and develops into glorious farce as Martin tries to help out with his son’s love-life.
3. The Marriage of Figaro
   Don’t bother with what it’s about, just get the CD and have it on in the background. Don’t pay attention too closely, but play it through a few times. Do the washing up, or some typing.

No, that’s all you have to do.

Nice, isn’t it?

Balls to the dressing up posh to go hear it live – though that can be fun too. (Yesterday was chilly, especially after I’d given up my dinner jacket to the frail princess.) It’s just tunes and a bit of a silly story that’s good to listen to, and which can have something a bit more to it if you’re looking.