Sunday, August 17, 2025

Doctor Who and the Auton Invasion by Terrance Dicks

Second impression reprint (1975) of Doctor Who and the Auton Invasion by Terrance Dicks, cover art by Chris Achilleos
“In this, the first adventure of his third ‘incarnation’, DOCTOR WHO, Liz Shaw, and the Brigadier grapple with the nightmarish invasion of the AUTONS — living, giant-sized plastic-modelled ‘humans’ with no hair and sightless eyes; waxwork replicas and tailors’ dummies whose murderous behaviour is directed by the NESTENE CONSCIOUSNESS — a malignant, squid-like monster of cosmic proportions and indescribably hideous appearance.”

John Grindrod’s excellent talk at the Target Book Club event last month made me revisit the blurb on the back of this novelisation, the first* of more than 200 books by Terrance Dicks, originally published simultaneously in hardback and paperback on 17 January 1974. That blurb, a single, thrilling sentence chock full of adjectives, was probably written by commissioning editor Richard Henwood.

Heywood’s brilliant instincts for what would appeal directly to his readership of 11-14 year-olds also included changing the titles of stories to focus on the monsters. The TV story Spearhead from Space thus became Doctor Who and the Auton Invasion

First edition paperback (1974) of Doctor Who and the Cave-Monsters by Malcolm Hulke, cover illustration by Chris Achilleos
Published on the same day was Malcolm Hulke’s novelisation of his own TV story, Doctor Who and the Silurians. This already had a monster-focused title but “Silurian” is a technical word referring to a specific period of geological time. Henwood went for something simpler and more vivid, a title to immediately conjure a mental image: Doctor Who and the Cave-Monsters (with hyphen). The cover, by Chris Achilleos, promises monsters plural: a T-rex and a Silurian.

Of course, these new titles also fitted with those of the first three Target novelisations, published on 2 May 1973 and all reissued versions of books originally published in the 1960s. Two were originally published with snappy, simple titles focused on the antagonists: Doctor Who and the Zarbi and Doctor Who and the Crusaders. Henwood changed Doctor Who in an Exciting Adventure with the Daleks to Doctor Who and the Daleks to match (though only on the front cover; it retains its original title inside).

As John Grindrod pointed out in his talk, these three Target reissues were published as part of the wider “Target Adventure Series”. The inside cover of each lists the other two Doctor Who books and also a non-Doctor Who adventure story called The Nightmare Rally. Written by Pierre Castex, this was again a reissue of a book originally published in the 1960s, which the new cover proclaimed was “Now an exciting Walt Disney film, Diamonds on Wheels”; the reissue was published ahead of the film being released in cinemas later that year.

Also listed as part of the Target Adventure Series in these first Doctor Who books was a non-fiction title, Wings of Glory — written by Graeme Cook and about the history of war in the air. Another non-fiction title, None but the Valiant, about war at sea, was,

“to be published in Target Books, September 1973”.

Note that there was no mention here of further Doctor Who books as “in preparation” — a feature of later Doctor Who novelisations. Henwood had written to the BBC on 3 November 1972 expressing a wish to novelise further Doctor Who stories beyond the three reissues but it seems he and the team at Target waited to see how those sold before formally committing to more.

They sold extremely well: The Target Book by David J Howe with Tim Neal, which is essential reading on this stuff, estimates an initial print run of 20,000 copies per title, a reprint within six months (October/November 1973), and again three months later (January/February 1974). One of the books, Doctor Who and the Daleks, reached no. 6 in the WH Smith top 10 on 20 July 1973. 

By this point, with the books clearly a success, six new Doctor Who titles had been commissioned. As well as Doctor Who and the Auton Invasion and Doctor Who and the Cave-Monsters, there were to be novelisations of the following TV stories:

  • Day of the Daleks (published as Doctor Who and the Day of the Daleks by Terrance Dicks on 18 March 1974)
  • Colony in Space (published as Doctor Who and the Doomsday Weapon by Malcolm Hulke the same day)
  • The Daemons (published as Doctor Who and the Daemons by Barry Letts on 17 October 1974)
  • The Sea Devils (published as Doctor Who and the Sea-Devils, with hyphen, by Malcolm Hulke the same day)

At this stage, Mac Hulke was the backbone of the Target range, writing half of the new books — all based on his own TV serials. To begin with, all his books were to be renamed with punchier titles: Doctor Who and the Sea-Devils was originally going to be put out as Doctor Who and the Sea-Monsters (as per the “in preparation” list in the first editions of Doctor Who and the Day of the Daleks and Doctor Who and the Doomsday Weapon). The changed title and hyphen were surely to help indicate that this was a direct sequel to Doctor Who and the Cave-Monsters

My guess is that the title was changed back to Doctor Who and the Sea-Devils following the last-minute decision to repeat the omnibus version of The Sea Devils on TV on 27 May 1974, a few months ahead of publication. Perhaps it was also to ensure the title matched the list of all Doctor Who TV serials given in the Radio Times special marking 10 years of Doctor Who, published in November 1973. Another title listed as “in preparation” in March 1974, Doctor Who and the Yeti, was also changed back to its TV title and published as Doctor Who and the Abominable Snowmen.

However, before Target abandoned this policy of changing titles to make them more simple, vivid and monster-focused, this approach seems to have had a profound effect on Hulke and others working on the TV show. On 2 July 1973 — around the same time that these first six new novelisations were confirmed — Hulke was also commissioned to write the scripts for a new six-part Doctor Who story on TV called Timescoop. By early August, that name had been changed to Invasion of the Dinosaurs. TV story Death to the Daleks, commissioned the same day, already had this kind of title but Return to Peladon, commissioned on 12 July from writer Brian Hayles, became The Monster of Peladon (Hayles was also soon commissioned by Target to novelise his first Peladon story). 

Terrance Dicks and Barry Letts had originally planned to end the 1974 TV series of Doctor Who by killing off the Master, as played by Roger Delgado, in a story to be called The Final Game. When Delgado died and then star Jon Pertwee decided to leave Doctor Who, the finale became a story to kill-off the Third Doctor, now with a monster-focused title: Planet of the Spiders. In the following season of TV adventures, the titles of all but one story — The Ark in Space — include the name of the monster.

The books introduced other stuff that found its way into the TV show, too. The Making of Doctor Who (1972) by Hulke and Dicks revealed that Brigadier Lethbridge-Stewart’s first name is “Alastair”. This fact is given again in Doctor Who and the Auton Invasion, published months before studio recording of the name’s first use on screen in Part One of Planet of the Spiders.

Then there’s this, from the climax of the Auton invasion book, as one of the monstrous shop-window dummies is caught in the blast of a grenade.

“An Auton arm blown clear from the body continued to lash wildly around the room, spitting energy bolts like a demented snake.” (p. 146)

It’s surely the inspiration for what happens in the TV episode Rose (2005).

The Ninth Doctor (Christopher Eccleston) attacked by a plastic Auton arm in Doctor Who episode Rose (2025)

(ETA clever Nicholas Pegg points out what goes through the mind of the policeman facing, in the novelisation, the Auton invasion of Oxford Street:

"Students, he thought vaguely. They'd gone too far this time. That thought was also his last." (p. 134)

Rose's response to encountering the Autons for the first time, in a department store in "central London", is that they must be students...)

I’ve much more to say about what Terrance does and doesn’t do in his first novelisation, but I’ll save it for my forthcoming biography of him...

* Terrance was credited as co-writer of The Making of Doctor Who (Piccolo, 1972), but Mac Hulke did the bulk - probably all - of the actual writing, and took 75% of the royalties. "The Auton Invasion was the first book of any kind I'd written," Terrance told the authors of the Target Book (p. 19). Years later, he alone carried out the rewrites on the updated edition of The Making of..., published by Target in 1976, but reused some of the material originally written by Hulke.

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