The novella won both Hugo and Nebula awards, and if the word of mouth wasn't already good, the cover boasts a too-die-for endorsement:
"There's more vivid imagination in a page of Nnedi Okoroafor's work than in whole volumes of ordinary fantasy epics." - Ursula K. Le GuinA lot of science-fiction is about encounters between white Earth people and "the other" out in space. Binti, the narrator of this story, is the first of the Himba people of northern Namibia to be offered a place at Oomza University, and other humans (even darker skinned ones) treat her as exotic and strange.
The otjize paste with which she daubs her hair and skin is made from the clay back home, a physical link to her culture and history that plays a key part in the story. The texture and smell of it are part of what makes the telling so sensuous and rich.
A lot of science-fiction is also about war and conquest, the future all jostling colonial powers. Binti feels like it's going to be some typical invasion, but is more about what it takes to bridge the gap between different groups, whether human or otherwise. In doing so, Binti becomes someone, something, else. That willingness to reach out, to leave home and migrate, to embrace the strange, is a defiant, heroic act.
Her story continues in Binti: Home (2017) and Binti: The Night Masquerade (2018), which I hope to get to shortly.