Saturday, August 13, 2011

"All you do is quote fact and figures..."

"'After all, we are in the entertainment business.'
- Ruper Murdoch on the Hitler diaries”

Quoted in Robert Harris, Selling Hitler, p. 293.

The Dr picked up Selling Hitler – The story of the Hitler diaries for 90p in a charity shop. The book was first published in 1986 and this battered paperback with Alexei Sayle mugging on the front was brought out in 1991, to coincide with, says the back cover, “the major five-part ITV drama series, starring Jonathan Pryce, Alan Bennett, Barry Humphries” and Sayle. Yet the true story of a huge publishing swindle seems particularly relevant now: how News International and other publishing companies were so consumed by commercial pressures that they, fatally, ran a major scoop despite serious questions about the source.

It's a fascinating story, Harris detailing the huge market in the 1970s for Nazi-related material. On telly there was Colditz and Secret Army, the papers were tracking down former SS officers to interview and/or bring to justice, and a trade in illicit knick-knacks that the Fuhrer might have touched was commanding ever higher prices – and ever more outlandish fakes. I was also struck by the context in which Hitler's diaries are set.
"It was clear that the only author who might remotely be compared Adolf Hitler was Henry Kissinger. His memoirs had been syndicated across the globe in 1979 in an intricate network of deals, simultaneous release dates and subsidiary rights, which was a wonder to behold. Hitler was probably bigger than Kissinger – 'hotter', as the Americans put it.”

Ibid., p. 210.

Forger Konrad Kujau produced a pile of diaries, hundreds of paintings, notes and manuscripts – most as if by Hitler, but also corroborating details from those in his inner circle. His previous forgeries had been already spotted by – or embarrassed – other historians and publishers. If the German magazine Stern and the other publishers had been more open with their haul and sought more opinions, the whole fraud would have collapsed much sooner.

Harris is good at explaining the slow erosion of the experts' doubts and hesitance. The reputation of Lord Dacre (Hugh Trevor-Roper) was seriously damaged by his authenticating the diaries as genuine, but we see how he was given little time and little access, and was apparently lied to. Those with the skills and experience to make judgments – scientists, historians, those who'd dealt with forgeries, journalists who'd seen this kind of thing before – were not let in on the secret or only in limited ways.

But even as the deals were being signed, on Wednesday, 20 April 1983, Philip Knightly at the Times listed his own concerns, based on having seen the costs incurred by faked Mussolini diaries in 1968. His concerns perfectly spell out the errors being made under commercial pressure to rush out the exclusive:
"Questions to consider:
  1. What German academic experts have seen all the diaries? Has, for instance, the Institute of Contemporary History seen them?
  2. What non-academic British experts have seen all the diaries? Has David Irving seen them?
  3. How thoroughly has the vendor explained where the diaries have been all these years and why that have surfaced now: the fiftieth anniversary of Hitler's accession to power.
The crux of the matter is that secrecy and speed work for the con man. To mount a proper check would protect us but would not be acceptable to the vendor. We should insist on doing our own checks and not accept the checks of any other publishing organisation.”

Quoted in ibid., p. 290.

I've quoted Jacob Bronowski before describing Nazism as a faith not a science because it preferred certainty not awkward questions. The history of Agent Zigzag showed that the Nazi secret service were less effective than the British because the Nazis could not admit weaknesses of intelligence information. The same thing seems to be going on here – the various editors and management people were so keen on the publishing event of the century that they trapped themselves in the story. They wanted to believe so they ignored the doubts.

As it is, David Irving became the unlikely sceptic-hero who wouldn't stop asking awkward questions and pulled down the whole house of cards. A little like, I thought, Hugh Grant suddenly becoming the moral arbiter on phone-hacking, or John Prescott this week on Question Time being criticised for always bringing up “facts and figures” to support his case.

But I've also been fascinated by the insight into the culture at News International so soon after Murdoch had taken over the Times.
"In the spring of 1983 ... [Murdoch] ruled his empire in a manner not dissimilar to that which Hitler employed to run the Third Reich. His theory of management was Darwinian. His subordinates were left alone to run their various outposts of the company. Ruthlessness and drive were encouraged, slackness and inefficiency punished. Occasionally, Murdoch would swoop in to tackle a problem or exploit an opportunity; then he would disappear. He was, depending on your standing at any given moment, inspiring, friendly, disinterested or terrifying. He never tired of expansion, of pushing out the frontiers of his operation. 'Fundamentally,' Richard Searby, his closest adviser, was fond of remarking, 'Rupert's a fidget.'”

Ibid., pp. 263-4.

With publishing and broadcast subsidiaries, Murdoch was in prime position to fully exploit the diaries. Harris says Murdoch could be furious and sweary as well as ruthless. He was explosive when Stern reneged on a deal for the diaries after they'd shaken hands. And he refused to be played off against the buyers from Newsweek – instead, making a deal with Newsweek to buy the rights together and share them out to mutal advantage. When Stern tried again to bump up the price, Murdoch and Newsweek walked out – and Stern were forced to pursue them and offer a much lower price. It's an astonishing, shrewd and wily bit of dealing. And all, of course, in vain.

If there's one criticism of Harris' book, it's the lack of notes or references. A lot of his material comes from publicly accessible reports and inquiries that followed the swindle being exposed. But he also says in his acknowledgments that,
"Almost all this information came to me on the understanding that its various sources would not be identified publicly.”

Ibid., p. 9.

So we have to take his story on trust.

Friday, August 12, 2011

Events, dear boy, events

I've reviewed Project Nim for the Lancet. It's slightly informed by a post here a while back about Baboon Metaphysics.

Will resist the temptation to link ape behaviour to the events in London and round the country this week. On Monday, we could see the fire in Croydon from our house - smoke and helicopters in an otherwise clear and moonlit sky. We followed it on the news until the news stopped having anything new to say. Over the next couple of days we saw lots of police cars and vans whizzing about and my train was a bit delayed on Monday.

On Tuesday, we thought we get out of the house for lunch and wandered up the hill to the nice coffee shop. A small number of women and children were running towards us, terrified by reports of rioters coming our way. We turned round and walked back down the hill - and the reports turned out to be untrue. Tesco was busy with people as we bought lunch, with lots of people on the tills trying to serve customers quickly (truly a sign of the End of Times). The staff were also lining up trolleys in front of the shop windows, building a barricade. And there was a palpable sense of terror - all anticipating the worst.

And yet outside it was sunny and quiet and people were getting on with their lives. It was all a bit strange and surreal - and unsettling - but there's not a lot to report. Had to do some extra work yesterday as a result of the riots, but even that was pretty quiet.

So, other stuff...

I'll also be talking about the Tomb of the Cybermen and Tutankhamun with Christopher Frayling and John J Johnston at the free Cybertut event next month. Do come along. There will probably be wine.

And the new issue of Doctor Who Adventures (#230) features another AAAGH comic strip by me. I helped out at at a DWA event at the Doctor Who Experience last week - and got to sneak round the exhibition too. It is cool. There is a Zygon and an Ice Warrior and even, if you look for it, the swimming pool robot from Paradise Towers.

Otherwise, caught up in a bundle-load of writing, which I must get back to...

Thursday, August 04, 2011

AAAGH! - The Romancing of Mrs Tinkle

I've been back at Doctor Who Adventures recently, and written four more AAAGH!s. This one is from #228, which was a Cyberman special.

AAAGH and the Cyberman
Script by me, art by Brian Williamson, edited by Natalie Barnes and Paul Lang - and posted here by kind permission. Next time: Craig the Sea Devil.

Also, I'll be joining the DWA gang at the Doctor Who Experience tomorrow to explain how we make the mag and its comic strips. Do come along.

Monday, July 25, 2011

Basket case

Blue Cat's protest sit-in while building works commenced this morning:

Blue Cat in a basket

Sunday, July 24, 2011

Jaunt

Had a nice couple of days' escape from London before our building work starts in earnest. Went to Ely for the afternoon, mooched round the cathedral and Cromwell's House (I was there in 2007, too), then fell into a pub.

Cromwell's House, Ely
Spent the evening in Cambridge eating pizza at Torchwood, and next morning did the Sedgwick -

Dinosaur at Sedgwick Museum, Cambridge
- and Fitzwilliam museums.

Lions outside Fitzwilliam Museum, Cambridge
The Dr loved the newly redesigned Greek and Roman bits, and I found some beautiful Augustus John landscapes and even a sculpture by Eric Gill. So that was nice.

Thence lunch with A. and A. and a trip to the Polar Museum, with its ceiling maps of the poles by Gill's brother MacDonald. The museum is mostly now about the indigenous peoples of the Arctic, but there's plenty of material on polar exploration by Europeans, and the story of Scott's ill-fated mission still packs one hell of a punch.

Spent the afternoon punting and pottering (I found the alleyway from Shada / The Five Doctors). The Fort St George pub has carved ladies behind the bar that seem to be slightly naughtier versions of the caryatids.

Naughty Caryatid at Fort St George, Cambridge
Then went to dinner at Cotto which was, frankly, amazing.

Next day we schlepped back to London and mooched round the Out of this World exhibition at the British Library, which is packed with detail. Rather pleased I'd read the majority of the key texts, though think it misses a trick by not addressing issues of race and class that are often so implicit in ideas of the "alien". And it still seems strange to see a sci-fi exhibition feature lots of Doctor Who but no Star Trek (though my teenage self would have cheered).

Looked through the windows of the Gilbert Scott restaurant which the Dr would like a trip to for her birthday. Instead we had a drink in the bar at St Pancras, where the service was immaculate. Went for a pee, though, to find this lady staring down at me.

Opera-glasses woman in the gents at St Pancras
Opera-glasses woman in the gents at St Pancras
Home to feed the cats and then out to dinner with @classicdw to tweet all about Robot - Tom Baker's first story as Doctor Who. Lovely tea afterwards and then home. Done some rewrites this morning and now off to a birthday party, with a long week of typing and building work to come.

Wednesday, July 20, 2011

Friday, July 15, 2011

Parliamoont

Long week. Knackered. But took this photo last night as I stumbled home.

Moon over Parliament

Saturday, July 09, 2011

The Turing test

I am writing more Blake's 7.

The BBC sci-fi show ran between 1978 and 1981, with a bunch of plucky heroes battling the evil Earth Federation, with plenty of fights and explosions. It was created by the chap that devised the Daleks.

Big Finish announced on Monday that they'll be producing new audio adventures featuring the original cast of the TV show. The first box of three stories in "The Liberator Chronicles" is by me, Nigel Fairs and Peter Anghelides, with Justin Richards and David Richardson cracking the whip. There will also be new Blake's 7 books. My story is called "The Turing Test".You can also read an interview with David about the series. The deal was done with B7 Enterprises - who hold the rights to Blake's 7, and for whom I've already written two audio episodes. It's also running a Blake's 7 t-shirt competition on Twitter.

Friday, July 01, 2011

The next wave

Those splendid fellows at Big Finish have announced two more Doctor Who plays by me.

The First Wave is out in November, starring Peter Purves, Tom Allen and the Vardans. The Anachronauts is out in January 2012, starring Peter Purves and Jean Marsh.

Monday, June 27, 2011

The Impassable Sky

As every child knows, The Gunfighters was the last Doctor Who story to have individual episodes until The Five Doctors, A Fix With Sontarans, Doctor Who (also known as the TV movie) and then Rose onwards.

On that basis, my Companion Chronicles squeezed into gaps before The Gunfighters have all had individual episode titles, at least on the scripts. I got asked online what the titles were for my latest effort, The Cold Equations, and a clever chap called Chris of Fenric then went and made this, which I like.

Doctor Who and the Impassable Sky

Thursday, June 23, 2011

The awkward age

I was in Copenhagen at the weekend. The Dr had been there for a week shadowing a new Egyptology exhibition and I joined her for the last couple of nights.

On Saturday, with my birthday hoving into view, we trained out to the Viking Ship Museum in Roskilde, with five different kinds of longship on display and lots of other cool stuff.

I liked how much they used the Bayeaux tapestry to show how these people once lived: gleaning from the comic-strip history vital clues about colours, tools and shapes, even the haircuts of different groups of people.

A panel on the history of the Vikings describes them getting over their 'awkward age' (i.e. marauding round other countries, raping and pillaging) in time to lead the Europeans on their crusades (i.e. marauding round other countries, rapings and pillaging).

But it also gave the lie to the Vikings as burly savages, showing the sophistication of their work. The ships were made from flexible, bendy planks, and then expanded over the fire to make them longer and lighter. That made strong, flexible and nippy crafty, ideal for stealth operations. But larger ships could carry plenty of cargo, and (as in Jonathan Clements' Brief History of the Vikings) there was a lot of emphasis on the friendly trade that was much more the norm than the pillaging.

Having read the Sagas of the Icelanders last year, it was good to see lots on the multicultural mixing of the time. As I explained to the Dr, the history of the Vikings is inextricably mixed up with the history of the UK.

As well as the original ships, expertly preserved, there was also a lot on the experimental archaeological project to rebuild a longship and sail it across the North Sea and circumnavigate the UK. This meant lots of footage and panels about sea-sickness, which at best disrupted watches and basic ship duties and at worst took out a third of the crew. Watching the crowded boat sitting so low in stormy and dark water, I got a sense of why the Vikings might not have been in the best moods when they arrived anywhere.

In the drizzle outside the museum there were tourists in horned helmets (though the Vikings didn't wear horns) rowing for themselves, and various beardie people at stalls selling hand-crafted Vikingish tat. I settled for a chicken sandwich - and was delighted to discover that the Danish word for chicken is 'kylling'. And just by the museum is a small fast-food place: Viking Pizza.

The Dr also took me round the prehistoric bits of the National Museum, and had clearly had a lovely week exploring other museums in the week. Copenhagen's a friendly, bustling city crammed full of people on bikes. I had a lovely time and only saw a small fraction, so am hoping to go back again.

Thursday, June 16, 2011

AAAGH! goes to war

AAAGH! goes to war with Chris Moyles
Another AAAGH! from issue #221 of Doctor Who Adventures - which stopped being on sale yesterday. Written by me, art by Brian Williamson, edited by Paul Lang (who insisted on pink Krotons) and Natalie Barnes - and posted here by kind permission.

It's my mid-season finale (because I don't have any more AAAGH!s in the pipeline as yet). So I'll have to fill this blog with something else.

Oh, I am going to Copenhagen tomorrow.

Wednesday, June 15, 2011

AAAGH! at Eurovision

AAAGH! from Doctor Who Adventures at Eurovision
Here's another AAAGH! by me, this one from issue #217 of Doctor Who Adventures, on sale two days before the Eurovision final. Art by Brian Williamson, edited by Paul Lang and Natalie Barnes and posted here by kind permission.

Tomorrow: A good AAAGH! goes to war!

Tuesday, June 14, 2011

AAAGH! v the Silence

AAAGH! from Doctor Who Adventures 216, featuring the Silence
Here's the AAAGH! from issue #216 of Doctor Who Adventures, the week after Day of the Moon was broadcast. It was written by me, drawn by Brian Williamson and edited by Paul Lang and Natalie Barnes - who gave kind permission to post it here.

Tomorrow: AAAGH! at Eurovision.

Monday, June 13, 2011

AAAGH! at Easter

AAAGH! Doctor Who Adventures comic strip at Easter with Abzorbaloff
Another AAAGH! comic strip, this from issue #215 of Doctor Who Adventures, published the week after Easter. Written by me, art by Brian Williamson and edited by Paul Lang and Natalie Barnes - who kindly gave permission to post it here. Next time: AAAGH! meets the Silence.

Friday, June 10, 2011

AAAGH! meets the Doctor

Another AAAGH!, this time from Doctor Who Adventures #213 earlier this year. You might like to know that AAAGH! goes to war in the current issue out in shops now, in a strip featuring the Krotons, a Slitheen and Chris Moyles.

As always, the above strip is by me, illustrated by Brian Williamson and edited by the splendid Paul Lang and Natalie Barnes, and posted up here with permission. Paul's also posted up one of his AAAGH!s - in which Nervil and Mrs Tinkle meet the EastEnders.

Thursday, June 09, 2011

Blam! Blam! Blam!

CLeaning Up starring Mark Gatiss, Louise Jameson and Anton Romaine Thompson
Feast your eyes on Stuart Manning's brilliant poster for Cleaning Up, a short film starring Mark Gatiss, Louise Jameson and Anton Romaine Thompson. It's directed by Thomas Guerrier and - by some staggering coincidence - written by me.

We're in the final stages of post-production and are already elbows deep in submissions to film festivals and whatnot. I'll be hollering on a lot more when there's more to be hollered, but in the mean time you can join the Cleaning Up Facebook massive and the official Cleaning Up Twitter experience.

Wednesday, June 08, 2011

The Ordeal

It’s 20 years since I took my first GCSEs - four of them, a year early, what with going to posh school. Tomorrow morning, me and Nimbos and a motley gang of heroes sit GCSE Astronomy, which we’ve been studying at the ROG since September.

It’s been a really interesting course. I’ve looked through a telescope for the first time, ordered a robotic telescope in Las Palmas to take pictures of galaxies for me, and had some nice nights out in the pub. But there’s a massive amount to keep all in my head and I’d forgotten my keen terror of exams.

It doesn’t help that exams are so entirely counter-intuitive to a hack like me. I spend a lot of my life having to write authoritatively about complicated subjects, which means reading up on them quickly, distilling that simply and then doing check upon check. I try to use at least two reliable sources and then get someone expert to read it over anyway.

This very process got me on to the course. I asked television’s Marek Kukula to read over my first draft of Doctor Who and the Cold Equations. With great tact he explained my grasp of the complex stuff was quite good, but my basic maths and physics was appalling.

Too often as I’ve revised my scrawling notes and gone through past papers my first thought has been, ‘I know where to find the answer to that’. I know exactly which book has the best looking Hertzsprung-Russell diagram, which photocopies unpick the Equation of Time and which magazine details all the things the Huygens probe found out about Titan.

The freelance skill, hard learned over years, is to know where to check these things and not to rely on my memory. Or that’s what I’m telling myself as I jangle in terror at the coming ordeal.

Tuesday, June 07, 2011

AAAGH! and the Atraxi

Another AAAGH!, this time from issue #209 and featuring the Atraxi and a Weeping Angel. As before, script by me, art by Brian Williamson, edited by Paul Lang and Natalie Barnes, and posted up here with the kind permission of the lovely Doctor Who Adventures.